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ALBERS. Nicholas Fox Weber: JOSEF + ANNI ALBERS: DESIGNS FOR LIVING. New York: Merrell and the Cooper-Hewitt, National Design Museum, 2004.
Allais, Émile: HOW TO SKI BY THE FRENCH METHOD [Émile Allais’ Technique]. New York: New Directions, 1947.
ALPHABETS. Herbert Spencer and Colin Forbes: NEW ALPHABETS A TO Z. New York: Watson-Guptill Publications, 1974.
ARCHIGRAM. Dennis Crompton [Curator]: A GUIDE TO ARCHIGRAM 1961-74: EXPERIMENTAL ARCHITECTURE 1961-74. London: Academy Editions, 1994.
Arts and Architecture, September 1946. Los Angeles: John D. Entenza, 1946. Eames molded plywood photo collage cover by Herbert Matter.
Bangerter and Tschanen: OFFICIAL GRAPHIC ART IN SWITZERLAND [Offizielle Schweizer Grafik / Arts Graphiques Officiels En Suisse]. Zurich: ABC Verlag, 1964.
BAU UND WOHNUNG [Herausgegeben vom Deutschen Werkbund]. Mies van der Rohe [Foreword], Willi Baumeister [Designer], Stuttgart: Akad. Verlag Dr. Fr. Wedekind & Co., 1927.
Bauhausbücher 12. Walter Gropius: BAUHAUSBAUTEN DESSAU. Munich: Albert Langen Verlag, 1930.
BAUHAUS 1919 – 1928. NYC: Museum of Modern Art, 1938. Herbert Bayer, Walter Gropius and Ise Gropius [Editors].)
BAUHAUS 1919 – 1928. New York: Museum of Modern Art, 1938. Herbert Bayer, Walter Gropius and Ise Gropius [Editors].
P-M [An Intimate Journal For Art Directors, Production Managers, and their Associates], Vol. 6, No. 2: Dec. 1939 – Jan. 1940. The Herbert Bayer issue.
BAYER, Herbert, José Luís Sert and CIAM: CAN OUR CITIES SURVIVE? Cambridge and London: Harvard University Press, 1942.
Bayer, Herbert: MODERN ART IN ADVERTISING [An Exhibition of Designs for Container Corporation of America]. Art Institute of Chicago, 1945.
Bayer, Herbert: HERBERT BAYER PAINTER DESIGNER ARCHITECT [Visual Communication, Architecture, Painting.] New York: Reinhold/Studio Vista, 1967.
Bayer, Herbert [Designer], Hans Wingler [foreword]: herbert bayer. das druckgrafische werk bis 1971. Berlin: Bauhaus-Archiv, 1974.
Bayer, Burtin, Doner, Jacobson, Lustig, Rand, Rudofsky: SEVEN DESIGNERS LOOK AT TRADEMARK DESIGN. Chicago: Paul Theobald, 1952.
BERTOIA, Harry. Herbert Matter [Designer]: CHAIRS BY BERTOIA. New York: Knoll Associates, Inc., [1957]. Poster.
Biesele, Igildo: EXPERIMENT DESIGN. Zurich: ABC Verlag, 1986.
Bill, Max: FORM. A BALANCE SHEET OF MID-TWENTIETH CENTURY TRENDS IN DESIGN. Basel: Verlag Karl Werner, 1952.
Blake, John E. [Editor]: A MANAGEMENT GUIDE TO CORPORATE IDENTITY. London: Council of Industrial Design, 1971.
CORPORATE DIVERSITY: SWISS GRAPHIC DESIGN AND ADVERTISING BY GEIGY 1940 – 1970. Zürich and Baden: Museum für Gestaltung and Lars Müller Publishing, 2009.
BILL, Max. Tomás Maldonado and Max Bill: MAX BILL. Buenos Aires: Editorial Nueva Visión, 1955.
Binder, Joseph: JOSEPH BINDER -- AN ARTIST AND A LIFESTYLE. Vienna: Anton Scholl & Company, 1976.
CORAY, Hans. Max Bill [essay]: HANS CORAY, KÜNSTLER UND ENTWERFER [Reihe Schweizer Design-Pioniere 3]. Museum für Gestaltung, Kunstgewerbemuseum, 1986.
CROUWEL. David Quay, Kees Broos: WIM CROUWEL ALPHABETS. Amsterdam: BIS Publications, 2003.
CRAFTSMANSHIP IN A CHANGING WORLD. Robert Brownjohn, Ivan Chermayeff [Designers], New York: Museum of Contemporary Crafts, 1956.
DESIGN QUARTERLY 36. Minneapolis; Walker Art Center, 1954. 8 British Designers.
DESIGN QUARTERLY 62: SIGNS AND SYMBOLS IN GRAPHIC COMMUNICATION, Martin Krampen and Peter Seitz. Minneapolis, MN: Walker Art Center, 1965.
Design Quarterly 130. Thoughts On The Study And Making Of Visual Signs. Basle School Of Design/Yale School Of Art, 1947 To 1985 [Armin Hofmann] / My Typography Instruction At The Basle School Of Desig
Diethelm, Walter with Dr. Marion Diethelm: VISUAL TRANSFORMATION. Zürich: ABC Verlag, 1982.
Diethelm, Walter: SIGNET SIGNAL SYMBOL [EMBLÈME SIGNAL SYMBOL]: HANDBOOK OF INTERNATIONAL SIGNS. Zürich: ABC Verlag, 1970. Fourth edition, 1984.
DORFSMAN & CBS. Dick Hess and Marion Muller. New York: American Showcase, 1987.
DOT ZERO 2. New York: Dot Zero / Finch Pruyn, 1966. Robert Malone [Editor], Massimo Vignelli [Designer]
EX LIBRIS 6: CONSTRUCTIVISM & FUTURISM: RUSSIAN & OTHER. Arthur and Elaine Lustig Cohen, New York: Ex Libris, 1977.
Dreyfuss, Henry, R. Buckminster Fuller [foreword]: SYMBOL SOURCEBOOK [An Authoritative Guide to International Graphic Symbols]. New York: McGraw-Hill, 1972.
Eisenman, Peter: HOUSE X. New York: Rizzoli International Publications, 1982. Cloth first edition in dust jacket.
Emigre 9 [4AD], Berkeley, CA, 1990. Rudy VanderLans and Zuzana Licko, Original edition [6,000 copies].
Emigré 14 [Heritage], 1990, Berkeley, CA: Rudy VanderLans and Zuzana Licko; Wolfgang Weingart, April Greiman, 8vo, etc.
Emigre 22 [Teach], Berkeley, CA: Emigre, 1992. Rudy VanderLans and Zuzana Licko, [7,000 copies].
Emigre 25 [Made in Holland]. Berkeley, CA: Emigre, 1993. Vincent van Baar, Gerard Forde and Armand Mevis [Guest Editors].
Emigre 31 [Raising Voices]. Berkeley, CA: Emigre, 1994, Rudy VanderLans and Zuzana Licko.
Eye no. 1. Rick Poynor [Editor]; London: Wordsearch Ltd., Volume 1, Number 1 Autumn 1990.
Favre, Jean-Paul and André November: COLOR AND COMMUNICATION. Zürich: ABC Verlag, 1979.
Fella, Edward [Designer]: THE MARKET PRESENTS PHILIP FIKE + BILL RAUHAUSER. Detroit: Detroit Artists Market, 1987.
Fella, Edward: 2000!. Los Angeles: Edward Fella, 1999. SIGNED by Fella and Lucy Bates.
Fletcher, Alan [Designer]: WHAT CAN YOU EXPECT ADVERTISING TO DO FOR YOU? New York: Time and Life International, n. d.
Frutiger Adrian: TYPE, SIGN, SYMBOL. Hors Commerce via the Swiss Professional Museum for Bookbinding, 1980.
Frutiger, Adrian: TYPE, SIGN, SYMBOL. Zurich: ABC Verlag, 1980.
Gebrauchsgraphik, April 1930. Berlin: Gebrauchsgraphik. Professor H.K. Frenzel [Editor], Fortunato Depero, A Futuristic Advertising Artist.
Gebrauchsgraphik, May 1935. Berlin: Gebrauchsgraphik, [Vol. 12, No. 2], Professor H. K. Frenzel [Editor]. Herbert Matter, Joseph Binder.
Gebrauchsgraphik, May 1937. Berlin: Gebrauchsgraphik, [Vol. 14, No. 5]. H.K. Frenzel [Editor], R. de Valerio.
Gebrauchsgraphik, April 1956. Berlin: Vol. 7, No. 2, Eberhard Holscher [Editor]. Andy Warhol 10-pg. I. Miller & Sons article, Erik Nitsche cover.
Geismar, Tom: THE MASTERS SERIES: TOM GEISMAR. New York: School of Visual Arts Chelsea Gallery, 2014.
GINORI, RICHARD. Gio Ponti (Presentazione): SOCIETA' CERAMICA. RICHARD - GINORI. Milano: Tip. A. Lucini & C., [c. 1955].
Gerstner, Karl: PROGRAMME ENTWERFEN. Teufen: Verlag Arthur Niggli, 1963.
Girard, Alexander and W. D. Laurie, Jr., Saul Steinberg [Illustrations]: AN EXHIBITION FOR MODERN LIVING. Detroit Institute of Arts, 1949.
Golden, Cipe Pineles, Will Burtin [introduction]: THE VISUAL CRAFT OF WILLIAM GOLDEN. New York: George Braziller, Inc. 1962.
GRAPHIC DESIGN [Basel School of Arts and Crafts / Kunstgewerbeschule Basel / Ecole des Arts et Métiers de Bâle]. Basel: Pharos Verlag, 1967.
GRAPHIC DESIGNERS IN THE USA, VOLUME 4 [George Lois, John Massey, Otto Storch and Saul Bass]. Tokyo: Bijutsu Shuppan-sha, 1972.
GREAT IDEAS. Herbert Bayer [Design Director]: GREAT IDEAS OF WESTERN MAN ADVERTISEMENTS FOR 1950 – 51 – 52. Chicago: Container Corporation of America, 1952.
FRITZ HANSEN FURNITURE. København / New York: Fritz Hansen EFT. A/S / Inc., 1968.
Henrion, F. H. K. and Alan Parkin: DESIGN COORDINATION AND CORPORATE IMAGE. New York / London: Reinhold Publishing / Studio Vista, 1967.
Huber, Max and Aoi, Takashi Kono; Bruno Munari [poem]: 81 + 68 + 51 = 200. Cantù, Italy: [Max & Aoi Huber], 1987. 90 signed/numbered copies.
INDUSTRIAL DESIGN 1 – 3, February – June 1954. New York: Whitney Publications, Inc., Alvin Lustig [Art Director, Cover Designer].
Interiors and Industrial Design, November 1947. New York: Whitney Publications, Cover by Ray Johnson.
Kauffer, E. [Edward] McKnight: POSTERS BY E. MCKNIGHT KAUFFER. New York: Museum of Modern Art, February 1937. Foreword by Aldous Huxley.
Kepes, György [Designer]: ADVANCE GUARD OF ADVERTISING ARTISTS. Chicago: Katharine Kuh Gallery, October 1941.
KNOLL. Herbert Matter [Designer]: KNOLL FURNITURE GUIDE [A Condensed Guide to the Knoll International Furniture Collection]. New York: Knoll Associates, Inc., [1956].
KNOLL. Herbert Matter and Ladislav Sutnar [Designers], Martha Kai [Editor]: KNOLL OFFICE PLANNED FURNITURE. New York: Knoll Associates, Inc., [1956].
KNOLL. Herbert Matter [Designer]: CHAIRS BY HARRY BERTOIA. New York: Knoll Associates, Inc., [1966].
KNOLL. Ladislav Sutnar [Designer] : KNOLL ASSOCIATES [Planning, Furniture, Textiles]. New York: Knoll Associates, n. d. [1956].
KNOLL Associates, Herbert Matter [Photographer]: THE PETITT CHAIR. New York: Knoll Associates, Inc., 1966.
Knoll Associates, Herbert Matter [Designer]: A COLLECTION OF FURNITURE DESIGNED BY MIES VAN DER ROHE. New York: Knoll Associates, Inc., October 1964.
LE CORBUSIER [The North American Tour 1959 – 1960]; Jane B. Drew [introduction], Theo Crosby [Designer], Winnipeg School of Architecture, 1959.
PAUL LASZLO: INTERIORS | EXTERIORS. Beverly Hills: Paul László, 1947. An Inscribed Copy.
Lissitzky, El [Author/Designer]: RUSSLAND [Neues Bauen in der Welt 1]. Vienna: Anton Schroll & Co., 1930.
Lubalin, Smith, and Carnese: “Somewhere in here it says, Peace on earth, good will to all men. Let’s get it together.” New York: Lubalin, Smith, and Carnese, 1970.
Lubalin, Burns & Co., Inc.: TYPEFACE DIRECTORY. New York: Lubalin, Burns & Co., Inc., 1970.
Lubalin, Burns & Co., Inc.: TYPO-GRAPHICS. New York: Lubalin, Burns & Co., Inc., 1970.
LUBALIN, HERB. Gertrude Snyder and Alan Peckolick: HERB LUBALIN: ART DIRECTOR, GRAPHIC DESIGNER, AND TYPOGRAPHER. New York: American Showcase, 1985.
Lustig, Alvin and James Laughlin: BOOKJACKETS BY ALVIN LUSTIG FOR NEW DIRECTIONS BOOKS. New York: Gotham Book Mart Press, 1947.
Lustig, Alvin, Frank Harris, Weston Bonenberger, Julius Shulman: A GUIDE TO CONTEMPORARY ARCHITECTURE IN SOUTHERN CALIFORNIA. Los Angeles: Watling and Company, 1951.
Martens, Karel: PRINTED MATTER / DRUKWERK. London: Hyphen Press, 1996. First edition, 1997 second printing
MARTENS. Carel Kuitenbrouwer [intro]: KAREL MARTENS: COUNTERPRINT. London: Hyphen Press, 2004.
MATTER, HERBERT. Mark S. Reeve: HERBERT MATTER: TRANSLATING THE MODERNIST SOUL. Baltimore, MD: Company Time Graphics, 1994.
Maier, Manfred: ELEMENTATE ENTURFS- UND GESTALTUNGSPROZESSE [Die Grundkurse an der Kunstgewerbeschule Basel, Schweiz]. Bern: Verlag Paul Haupte, 1977 [1986–7 editions].
MEMPHIS LIGHT AND BOLD. Brooklyn: Mergenthaler Linotype Company, [c. 1930].
MEMPHIS WITH ITALIC [in Light, Medium and Bold Weights]. Brooklyn: Mergenthaler Linotype Company, [c. 1930].
MetaDesign, Berlin: FONTSHOP 1990 CATALOG. Berlin, FontShop GmbH, March 1990.
MEVIS & VAN DEURSEN. Linda Van Deursen, Armand Mevis, Paul Elliman [text]: RECOLLECTED WORK: MEVIS & VAN DEURSEN. Amsterdam: Artimo Foundation, 2005.
HERMAN MILLER COLLECTION, THE [Furniture Designed by Nelson, Eames, Noguchi and Laszlo]. Zeeland, MI, 1950. George Nelson [introduction].
HERMAN MILLER COLLECTION [1950], THE [Furniture Designed by George Nelson, Charles Eames, Isamu Noguchi and Paul Laszlo]. Zeeland, MI: Herman Miller Furniture Co., 1950.
HERMAN MILLER COLLECTION [1952], THE [Furniture Designed by George Nelson and Charles Eames, with pieces by Isamu Noguchi, Peter Hvidt and O. M. Neilsen]. Zeeland, MI: 1952.
HERMAN MILLER COLLECTION, THE [Designs by George Nelson and Charles Eames, Fabrics by Alexander Girard]. Zeeland, MI: Herman Miller Furniture Co., 1955.
HERMAN MILLER. George Nelson: THE HERMAN MILLER EXECUTIVE OFFICE GROUP. Zeeland, MI: The Herman Miller Furniture Company, 1949.
HERMAN MILLER. George Nelson, Irving Harper [Designer]: BSC: THE HERMAN MILLER SYSTEM OF BASIC STORAGE COMPONENTS. Zeeland, MI: The Herman Miller Furniture Company, 1949.
HERMAN MILLER. George Nelson: ABC OF MODERN FURNITURE. Zeeland, Michigan: The Herman Miller Furniture Company, 1954.
HERMAN MILLER FURNITURE FOR THE HOME. Charles Eames, Alexander Girard, George Nelson, Zeeland, MI:, [n. d. 1956].
HERMAN MILLER. George Tscherny [Designer]: HERMAN MILLER CHAIRS FOR HOME, OFFICE AND PUBLIC AREAS. Zeeland, MI: The Herman Miller Furniture Company, [1959].
HERMAN MILLER. Eames, Girard, Nelson: A Herman Miller Cross Section [brochure title]. Zeeland, MI: The Herman Miller Furniture Company, [1956].
MOBILI TIPICI MODERNI [450 riproduzioni di mobili e ambienti moderni di architetti italiani e stranieri]. Milano: Editoriale Domus, [1933]. Giancarlo Palanti [a cura di].
MODERN PUBLICITY 1935 – 1936 [Commercial Art Annual]. London and New York: The Studio Ltd. and The Studio Publications, Inc., 1936.
Moholy-Nagy, László: THE NEW VISION: FROM MATERIAL TO ARCHITECTURE. New York: Brewer, Warren & Putnam, Inc. [1930/1932: publication date in dispute]
Moholy-Nagy, László: THE NEW VISION [Fundamentals of Design, Painting, Sculpture, Architecture]. New York: W. W. Norton & Company, 1938. Inscribed copy with a partial dust jacket.
Monguzzi, Bruno [Curator/Designer]: LO STUDIO BOGGERI 1933 - 1981. Milan: Electa, 1981. First edition [Pagina series].
Müller-Brockmann, Josef: THE GRAPHIC ARTIST AND HIS DESIGN PROBLEMS. New York: Visual Communications Books / Hastings House, 1961.
Munari, Bruno [Designer], Carlo Lodovico Ragghianti [Introduction]: HANDICRAFT AS A FINE ART IN ITALY. New York: Handicraft Development Inc., and CADMA Florence, 1948.
Neuburg, Hans: PUBLICITY AND GRAPHIC DESIGN IN THE CHEMICAL INDUSTRY. Zürich: ABC Verlag, 1967.
Neumann, Eckhard: FUNCTIONAL GRAPHIC DESIGN IN THE 20'S. New York: Reinhold Publishing Corporation, 1967.
NEW FURNITURE. Yamagata-Ken, Japan: Tendo Mokko Co., Ltd., 1963. Kōhei Sugiura [Designer]
NOGUCHI. Tokyo: Bijutsu Shuppansha-Sha, 1953. Isamu Noguchi, S. Takiguchi, and S. Hasegawa.
OCTAVO 86.1 JOURNAL OF TYPOGRAPHY. London: Eight Five Zero, August 1986. Burke, Holt, Johnson, Muir [Editors].
ORGANIC DESIGN IN HOME FURNISHINGS. New York: Museum of Modern Art, September 1941. Eliot Noyes, E. McKnight Kauffer [Jacket Designer]
Pagano, Giuseppe [Designer]: “All’Insegna della casa moderna.” Milano, Società Italiana del Linoleum, 1931.
PENTAGRAM: THE WORK OF FIVE DESIGNERS. London: Lund Humphries, 1972. Theo Crosby, Alan Fletcher, Colin Forbes, Mervyn Kurlansky, Kenneth Grange.
Pineles, Cipe: BULBENICK [Baked Potato Pan Cake]. [New York: Self-Published, c. 1955].
P-M [An Intimate Journal For Art Directors, Production Managers, and their Associates], Vol. 4, No. 7: June – July 1938. The Bauhaus Tradition and the New Typography.
POSTERS. Rudolph de Harak [Editor]: POSTERS BY MEMBERS OF THE ALLIANCE GRAPHIQUE INTERNATIONALE 1960 – 1985. New York: Rizzoli, 1986.
PRESTINI'S ART IN WOOD. Lake Forest, IL: The Pocahontas Press, 1950. Edgar Kaufmann Jr. and Barbara Morgan.
PUBLICITE 11 [Review of Publicity and Advertising Arts in Switzerland]. Geneva: Maurice Collet Editeur, n.d. [1961].
PUSH PIN STUDIOS Letterhead and Envelope. New York: Push Pin Studios, Inc., 1972. Studio Identity ephemera by Seymour Chwast.
PUSHPIN AND BEYOND [The Celebrated Studio That Transformed Graphic Design And The Works Of Seymour Chwast, Paul Davis, Milton Glaser, James McMullan]. Osaka: Suntory Museum, 1997.
TYPOGRAPHICA 12. London: Lund Humphries, December 1965 [New Series], Herbert Spencer [Editor].
RAND, PAUL. Robert Goldwater: MODERN ART IN YOUR LIFE. New York: Museum of Modern Art, 1949. First edition [MoMA Bulletin, V. 17, No. 1].
Rand, Paul: THOUGHTS ON DESIGN. New York: Wittenborn, 1951. An inscribed copy.
Rand, Paul Rand: UCLA EXTENSION SPRING QUARTER BEGINS MARCH 29 1997 [poster title].
6 Rassegna: Il Campo della Grafica Italiana [The Field of Italian Graphics]. Milan: Editrice CIPIA, aprile 1981.
12 Rassegna: Architettura nelle Riviste D'Avantguardia / Architecture in the Avant-Garde Magazines. Milan: Editrice CIPIA, 1982.
Rassegna 30: Piet Zwart: L'Opera Tipografica 1923 – 1933 / Piet Zwart, the Typographical Work 1923 – 1933. Bruno Monguzzi, Bologna: Editrice C.I.P.I.A. s.r.l. , 1987.
43 Rassegna: Reklame & Architektur. Vittorio Gregotti [Direttore responsabile], Milan: Editrice CIPIA, 1990.
Rassegna 53: Karel Teige, Architettura e Poesia. Bologna: Editrice Compositori srl, 1993.
RAYMOND, Antonin and Noémi, Elie Faure [preface]: ANTONIN RAYMOND: HIS WORK IN JAPAN 1920 – 1935. Tokyo: Johnan Shoin, [c. 1935].
RAYMOND, ANTONIN: ARCHITECTURAL DETAILS 1938. Tokyo/New York: Antonin & Noémi Pernessin Raymond / The Architectural Forum, 1938. First edition of 1,000 copies [stated].
RING "NEUE WERBEGESTALTER" AMSTERDAMER AUSSTELLUNG VON 1931 [Typographie kann unter umstanden Kunst Sein]. Landesmuseum Wiesbaden, 1990, Kees Broos [essay].
Rosen, Ben: THE CORPORATE SEARCH FOR VISUAL IDENTITY [A Study of 15 Outstanding Corporate Design Programs]. New York: Van Nostrand Reinhold, 1970.
Ruder, Emil: TYPOGRAPHIE: EIN GESTALTUNGSLEHRBUCH [Typography: A Manual Of Design / Typographie: Un Manuel De Creation]. Teufen AR: Verlag Arthur Niggli, 1967.
Rüegg, Ruedi and Godi Fröhlich: TYPOGRAFISCHE GRUNDLAGEN [BASES TYPOGRAPHIQUES / BASIC TYPOGRAPHY]. Zürich: ABC Verlag, 1972.
Rüegg, Ruedi, Paul Rand [essay]: BASIC TYPOGRAPHY: DESIGN WITH LETTERS [Typografische Grundlagen: . . . ]. New York: Van Nostrand Reinhold, 1989.
Scher, Paula: DINGBATS [And Champion Linen]. Stamford, CT: Champion International Corporation, 1989.
SCHWITTERS [Kurt]. Pasadena Art Museum, 1962. Original Poster mailer.
SCHWITTERS, KURT. Ernst Schwitters [essay]: KURT SCHWITTERS: TYPOGRAPHIE UND WERBEGESTALTUNG [Typographie kann unter umstanden Kunst Sein]. Landesmuseum Wiesbaden, 1990.
Sinel, Joseph [Compiler]: A BOOK OF AMERICAN TRADE-MARKS & DEVICES. New York: Alfred A. Knopf, 1924.
SOVIET GRAPHIC DESIGN. Leah Dickerman [Editor]: BUILDING THE COLLECTIVE -- SOVIET GRAPHIC DESIGN 1917 -1937 [Selections from the Merrill C. Berman Collection]. Princeton Architectural Press, 1996.
Stiebner, Erhardt D., Dieter Urban: SIGNS + SYMBOLS. New York: Van Nostrand Reinhold, 1984.
STILE INDUSTRIA January 1955. Milan: Domus, Volume 2, Number 3], Alberto Rosselli [Editor].
STRUCTURE: MAGAZINE ON CONSTRUCTIONIST ART. Joost Baljeu [Editor], Amsterdam: De Beuk, Second Series 2, 1960.
STRUCTURE: ANNUAL ON THE NEW ART. Joost Baljeu, Eli Bornstein [Editors], Wim Crouwel [Designer], Saskatoon, Canada: University of Saskatchewan, Volume 1, 1958.
Sutnar, Ladislav: SHAPE, LINE AND COLOR [Design and Paper no. 19]. New York: Marquardt & Company Fine Papers, n. d. [1945].
Sutnar, Ladislav: CONTROLLED VISUAL FLOW [Design and Paper no. 13]. New York: Marquardt & Company Fine Papers, n. d. [1943].
Sutnar, Ladislav [Designer]: A GUIDE TO THE 28TH ANNUAL EXHIBITION OF ADVERTISING AND EDITORIAL ART OF THE NEW YORK ART DIRECTORS CLUB. The Museum of Modern Art, March 1949.
Sutnar and Lönberg-Holm: CATALOG DESIGN PROGRESS: Advancing Standards In Visual Communication. New York: Sweet’s Catalog Service, [F. W. Dodge Corporation] 1950.
Sutnar, Ladislav and K. Lönberg-Holm: AMERICAN-STANDARD RADIATOR HEATING. New York: Sweet’s Catalog Service for the American Radiator & Standard Sanitary Corporation, Pittsburgh 1952.
SUTNAR. Noel Martin [Designer]: LADISLAV SUTNAR [poster title]. Cincinnati: Contemporary Arts Center, 1961.
TIBOR KALMAN PERVERSE OPTIMIST. New York: Princeton Architectural Press, 1998. Peter Hall [Editor], Michael Bierut [Designer].
TM Communication 20: Armin Hofmann, Basel: Gestalter, Lehrer und Pädagoge [TM Publishers offprint] St. Gallen: Zollikofer / Schweizerischer Typographenbund Bern, Jahrgang 105, Nr. 3, March 1986. Andr
TM: TRADEMARKS/USA 1945 - 1963. Chicago: Society of Typographic Arts (STA), June 1968.
TOP SYMBOLS & TRADEMARKS OF THE WORLD 1 – 11 [all published]. Milan: Deco Press s. r. l., 1973 – F. M. Ricci / Deco Press, 1983. Edited by Franco Maria Ricci & Corinna Ferrari.
TRADEMARKS AND SYMBOLS OF THE WORLD. Yusaku Kamekura, Paul Rand [preface]. New York: Reinhold, 1965.
Tscherny, George. Silas H. Rhodes [introduction]: THE MASTERS SERIES: TSCHERNY AT THE VISUAL ARTS MUSEUM. New York: School of Visual Arts, 1992.
Tschichold, Jan [Designer]: THE PENROSE ANNUAL [Review Of The Graphic Arts Volume 40]. London: Lund Humphries, 1938.
Tschichold, Jan: TYPOGRAPHISCHE MITTEILUNGEN, SONDERHEFT ELEMENTARE TYPOGRAPHIE. Mainz: H. Schmidt, 1986.
Tschichold, Jan: Werke und Aufsätze von El Lissitzky (1890 – 1941), Zusammengestellt und eingeleitet von Jan Tschichold. St. Galleen / Berlin: Gerhardt Verlag, 1971 (1970).
TYPOGRAPHICA 11. London: Lund Humphries, June 1965 [New Series], Herbert Spencer [Editor].
TYPOGRAPHICA 9. London: Lund Humphries, June 1964 [New Series], Herbert Spencer [Editor].
TYPOMUNDUS 20. International Center for the Typographic Arts; NYC: Reinhold Publishing Corporation, 1966.
TYPOGRAPHICA 13. London: Lund Humphries, June 1966 [New Series], Herbert Spencer [Editor].
TYPOGRAPHICA 14. London: Lund Humphries, 1966 [New Series], Herbert Spencer [Editor].
TYPOGRAPHICA 15. London: Lund Humphries, December 1966 [New Series], Herbert Spencer [Editor].
TYPOGRAPHICA 16. London: Lund Humphries, December 1967 [New Series], Herbert Spencer [Editor].
Vignelli, Massimo: NAPOLI: VEDI NAPOLI E POI MUORI [see Naples and Die]. Lissone, Italy: Arti Grafiche Meroni , [1984].
von Arx Peter, Birgit Hein and Armin Hofmann [foreword]: FILM + DESIGN. New York: Van Nostrand and Reinhold, 1983.
VORDEMBERGE-GILDEWART, FRIEDRICH : TYPOGRAPHIE UND WERBEGESTALTUNG. [Typographie kann unter umstanden Kunst Sein]. Landesmuseum Wiesbaden, 1990.
ZWART. Fridolin Muller [Editor], Peter Althaus [intro]: PIET ZWART. Teufen: Verlag Arthur Niggli, 1966.

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