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Pagano, Giuseppe [Designer]: “All’Insegna della casa moderna.” Milano, Società Italiana del Linoleum, 1931.
The Architectural Review [A Magazine of Architecture and Decoration], February 1937. London: The Architectural Press, J. M. Richards [Editor].
The Architectural Review [A Magazine of Architecture and Decoration], November 1937. London: The Architectural Press, J. M. Richards [Editor].
Arts and Architecture, September 1946. Los Angeles: John D. Entenza, 1946. Eames molded plywood photo collage cover by Herbert Matter.
Frutiger Adrian: TYPE, SIGN, SYMBOL. Hors Commerce via the Swiss Professional Museum for Bookbinding, 1980.
GRAPHIC DESIGNERS IN THE USA, VOLUME 4 [George Lois, John Massey, Otto Storch and Saul Bass]. Tokyo: Bijutsu Shuppan-sha, 1972.
CORPORATE DIVERSITY: SWISS GRAPHIC DESIGN AND ADVERTISING BY GEIGY 1940 – 1970. Zürich and Baden: Museum für Gestaltung and Lars Müller Publishing, 2009.
Neuburg, Hans: PUBLICITY AND GRAPHIC DESIGN IN THE CHEMICAL INDUSTRY. Zürich: ABC Verlag, 1967.
Gerstner, Karl: PROGRAMME ENTWERFEN. Teufen: Verlag Arthur Niggli, 1963.
Neumann, Eckhard: FUNCTIONAL GRAPHIC DESIGN IN THE 20'S. New York: Reinhold Publishing Corporation, 1967.
Gebrauchsgraphik, May 1935. Berlin: Gebrauchsgraphik, [Vol. 12, No. 2], Professor H. K. Frenzel [Editor]. Herbert Matter, Joseph Binder.
Rüegg, Ruedi and Godi Fröhlich: TYPOGRAFISCHE GRUNDLAGEN [BASES TYPOGRAPHIQUES / BASIC TYPOGRAPHY]. Zürich: ABC Verlag, 1972.
Diethelm, Walter with Dr. Marion Diethelm: VISUAL TRANSFORMATION. Zürich: ABC Verlag, 1982.
Bangerter and Tschanen: OFFICIAL GRAPHIC ART IN SWITZERLAND [Offizielle Schweizer Grafik / Arts Graphiques Officiels En Suisse]. Zurich: ABC Verlag, 1964.
RAYMOND, Antonin and Noémi, Elie Faure [preface]: ANTONIN RAYMOND: HIS WORK IN JAPAN 1920 – 1935. Tokyo: Johnan Shoin, [c. 1935].
RAYMOND, ANTONIN: ARCHITECTURAL DETAILS 1938. Tokyo/New York: Antonin & Noémi Pernessin Raymond / The Architectural Forum, 1938. First edition of 1,000 copies [stated].
Ruder, Emil: TYPOGRAPHIE: EIN GESTALTUNGSLEHRBUCH [Typography: A Manual Of Design / Typographie: Un Manuel De Creation]. Teufen AR: Verlag Arthur Niggli, 1967.
43 Rassegna: Reklame & Architektur. Vittorio Gregotti [Direttore responsabile], Milan: Editrice CIPIA, 1990.
27 Rassegna: Ludwig Hilberseimer 1885 / 1967. Bologne: Editrice CIPIA, 1986.
25 Rassegna: Sigfried Giedion, Un Progetto Storico / Sigfried Giedion, A History Project. Bologne: Editrice CIPIA, 1986.
14 Rassegna: Il Diseno dei Materiali Industriali / The Materials of Design. Milan: Editrice CIPIA, 1983.
10 Rasseggna: Allestimenti / Exhibition Design. Bologne: Editrice CIPIA, 1982.
7 Rassegna: Carlo Scarpa, Frammenti 1926 / 1978. Bologne: Editrice CIPIA, 1981.
21 Rassegna: Louis I. Kahn 1901/1974. Bologne: Editrice CIPIA, 1985.
47 Rassegna: Mart Stam 1899 – 1966. Bologne: Editrice CIPIA, setembre 1991.
12 Rassegna: Architettura nelle Riviste D'Avantguardia / Architecture in the Avant-Garde Magazines. Milan: Editrice CIPIA, 1982.
6 Rassegna: Il Campo della Grafica Italiana [The Field of Italian Graphics]. Milan: Editrice CIPIA, aprile 1981.
Rassegna 30: Piet Zwart: L'Opera Tipografica 1923 – 1933 / Piet Zwart, the Typographical Work 1923 – 1933. Bruno Monguzzi, Bologna: Editrice C.I.P.I.A. s.r.l. , 1987.
Rassegna 53: Karel Teige, Architettura e Poesia. Bologna: Editrice Compositori srl, 1993.
Rassegna 26: Il Progettoo del Mobile in Francia, 1919 – 1939 / Furniture Design in France 1919 – 1939. Milan: Editrice CIPIA, Giugno 1986.
Rassegna 3: I Clienti di Le Corbusier. Milan: Editrice CIPIA, Luglio 1980, [anno II, n. 3]. Vittorio Gregotti [Direttore responsabile].
Rassegna 52: Gli Ultimi CIAM. Milan: CIPIA, December 1992. [anno XIV, 52/4 ], Vittorio Gregotti [Editor].
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Dreyfuss, Henry, R. Buckminster Fuller [foreword]: SYMBOL SOURCEBOOK [An Authoritative Guide to International Graphic Symbols]. New York: McGraw-Hill, 1972.
MARTENS. Carel Kuitenbrouwer [intro]: KAREL MARTENS: COUNTERPRINT. London: Hyphen Press, 2004.
BAYER, Herbert, José Luís Sert and CIAM: CAN OUR CITIES SURVIVE? Cambridge and London: Harvard University Press, 1942.
Emigre 31 [Raising Voices]. Berkeley, CA: Emigre, 1994, Rudy VanderLans and Zuzana Licko.
Emigre 25 [Made in Holland]. Berkeley, CA: Emigre, 1993. Vincent van Baar, Gerard Forde and Armand Mevis [Guest Editors].
Emigre 22 [Teach], Berkeley, CA: Emigre, 1992. Rudy VanderLans and Zuzana Licko, [7,000 copies].
Emigre 9 [4AD], Berkeley, CA, 1990. Rudy VanderLans and Zuzana Licko, Original edition [6,000 copies].
Rand, Paul Rand: UCLA EXTENSION SPRING QUARTER BEGINS MARCH 29 1997 [poster title].
APPLE DESIGN [The Work of the Apple Industrial Design Group], Paul Kunkel. New York: Graphis, Inc., 1997.
Martens, Karel: PRINTED MATTER / DRUKWERK. London: Hyphen Press, 1996. First edition, 1997 second printing
CROUWEL. David Quay, Kees Broos: WIM CROUWEL ALPHABETS. Amsterdam: BIS Publications, 2003.
BREUER. Giulio Carlo Argan: MARCEL BREUER: DESIGNO INDUSTRIALE E ARCHITETTURA. Milan: Görlich Editore, January 1957.
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SCHINDLER. March and Sheine: R.M. SCHINDLER COMPOSITION AND CONSTRUCTION. London and Berlin: Academy Editions with Ernst & Sohn, 1995.
SOVIET GRAPHIC DESIGN. Leah Dickerman [Editor]: BUILDING THE COLLECTIVE -- SOVIET GRAPHIC DESIGN 1917 -1937 [Selections from the Merrill C. Berman Collection]. Princeton Architectural Press, 1996.
Emigré 14 [Heritage], 1990, Berkeley, CA: Rudy VanderLans and Zuzana Licko; Wolfgang Weingart, April Greiman, 8vo, etc.
PUSH PIN STUDIOS Letterhead and Envelope. New York: Push Pin Studios, Inc., 1972. Studio Identity ephemera by Seymour Chwast.
Design Quarterly 48 – 49: American Weaving, Virginia Nagle [Guest Editor]. Minneapolis: Walker Art Center, 1960.
Gebrauchsgraphik, April 1956. Berlin: Vol. 7, No. 2, Eberhard Holscher [Editor]. Andy Warhol 10-pg. I. Miller & Sons article, Erik Nitsche cover.
EX LIBRIS: GERMAN EXPRESSIONISM. Arthur and Elaine Lustig Cohen, New York: Ex Libris, 1984.
SCHWITTERS [Kurt]. Pasadena Art Museum, 1962. Original Poster mailer.
VISUAL POETRY. Luciano Ori [Curator]: LA POESIA VISIVA (1963 - 1979). Florence: Vallecchi, 1979.
RODCHENKO. Margarita Tupitsyn: ALEKSANDR RODCHENKO: THE NEW MOSCOW [Photographs from the L. and G. Tatunz Collection]. Münich: Schirmer/Mosel, 1998.
Barr, Hitchcock, Johnson and Mumford: MODERN ARCHITECTURE: INTERNATIONAL EXHIBITION. New York: Museum of Modern Art, February 1932. First edition [5,000 copies].
Neutra, Richard: AUFTRAG FÜR MORGEN. Hamburg: Claasen Verlag, 1962. An Inscribed Copy
Allais, Émile: HOW TO SKI BY THE FRENCH METHOD [Émile Allais’ Technique]. New York: New Directions, 1947.
JACOBSEN, Arne. Johan Pedersen: ARKITEKTEN ARNE JACOBSEN. København: Arkitektens Forlag, 1954.
Maier, Manfred: ELEMENTATE ENTURFS- UND GESTALTUNGSPROZESSE [Die Grundkurse an der Kunstgewerbeschule Basel, Schweiz]. Bern: Verlag Paul Haupte, 1977 [1986–7 editions].
Eisenman, Peter: HOUSE X. New York: Rizzoli International Publications, 1982. Cloth first edition in dust jacket.
Lissitzky, El [Author/Designer]: RUSSLAND [Neues Bauen in der Welt 1]. Vienna: Anton Schroll & Co., 1930.
Everyday Art Quarterly: A Guide to Well Designed Products No. 17. D. S. Defenbacher [Editorial Director], Minneapolis: Walker Art Center, Winter 1950 – 1951.
ALVAR AALTO Symposium: FUNCTIONALISM - UTOPIA OR THE WAY FORWARD?. Jyväskylä, Finland: The 5th International Alvar Aalto Symposium, 1992.
Bayer, Herbert: HERBERT BAYER PAINTER DESIGNER ARCHITECT [Visual Communication, Architecture, Painting.] New York: Reinhold/Studio Vista, 1967.
ARCHIGRAM. Michael Webb [introduction], New York: Princeton Architectural Press, 1999. Revised edition.
SARTORIS, Alberto. Flavia Cristiano, Daniela Porro [Curators]: ALBERTO SARTORIS E IL '900. CATALOGO DELLA MOSTRA. Rome: Gangemi Editore, 1990.
TM Communication 20: Armin Hofmann, Basel: Gestalter, Lehrer und Pädagoge [TM Publishers offprint] St. Gallen: Zollikofer / Schweizerischer Typographenbund Bern, Jahrgang 105, Nr. 3, March 1986. Andr