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ALBERS. C. E. B. [Charles E. Burchfield, introduction]: JOSEF & ANNI ALBERS [Paintings, Tapestries & Woven Textiles]. Hartford, CT: Wadsworth Atheneum, 1953.
ALBERS, Josef. Ikko Tanaka: JOSEF ALBERS AUTONOMOUS COLOR. Fukishama, Japan: Center for Contemporary Graphic Art and Tyler Graphics Archive Collection, 1996.
ALBERS. Nicholas Fox Weber: JOSEF + ANNI ALBERS: DESIGNS FOR LIVING. New York: Merrell and the Cooper-Hewitt, National Design Museum, 2004.
Allais, Émile: HOW TO SKI BY THE FRENCH METHOD [Émile Allais’ Technique]. New York: New Directions, 1947.
ARCHITECTURAL FORUM, THE. January 1934. Diego Rivera New Workers School Murals; Frederick Kiesler Space House.
Barr, Alfred H., Jr. [Editor]: FANTASTIC ART DADA SURREALISM. New York: Museum of Modern Art, December 1936.
BAUHAUS 1919 – 1928. NYC: Museum of Modern Art, 1938. Herbert Bayer, Walter Gropius and Ise Gropius [Editors].)
BAYER, Herbert, José Luís Sert and CIAM: CAN OUR CITIES SURVIVE? Cambridge and London: Harvard University Press, 1942.
Bayer, Herbert: MODERN ART IN ADVERTISING [An Exhibition of Designs for Container Corporation of America]. Art Institute of Chicago, 1945.
Bayer, Herbert [Designer], Hans Wingler [foreword]: herbert bayer. das druckgrafische werk bis 1971. Berlin: Bauhaus-Archiv, 1974.
Clark, Larry: TULSA. New York: Grove Press, 2000.
EX LIBRIS 6: CONSTRUCTIVISM & FUTURISM: RUSSIAN & OTHER. Arthur and Elaine Lustig Cohen, New York: Ex Libris, 1977.
EX LIBRIS: GERMAN EXPRESSIONISM. Arthur and Elaine Lustig Cohen, New York: Ex Libris, 1984.
Fella, Edward [Designer]: THE MARKET PRESENTS PHILIP FIKE + BILL RAUHAUSER. Detroit: Detroit Artists Market, 1987.
Gebrauchsgraphik, April 1956. Berlin: Vol. 7, No. 2, Eberhard Holscher [Editor]. Andy Warhol 10-pg. I. Miller & Sons article, Erik Nitsche cover.
GREAT IDEAS. Herbert Bayer [Design Director]: GREAT IDEAS OF WESTERN MAN ADVERTISEMENTS FOR 1950 – 51 – 52. Chicago: Container Corporation of America, 1952.
Huber, Max and Aoi, Takashi Kono; Bruno Munari [poem]: 81 + 68 + 51 = 200. Cantù, Italy: [Max & Aoi Huber], 1987. 90 signed/numbered copies.
Kauffer, E. [Edward] McKnight: POSTERS BY E. MCKNIGHT KAUFFER. New York: Museum of Modern Art, February 1937. Foreword by Aldous Huxley.
Kepes, György [Designer]: ADVANCE GUARD OF ADVERTISING ARTISTS. Chicago: Katharine Kuh Gallery, October 1941.
Kirstein, Lincoln and Julien Levy [essays]: MURALS BY AMERICAN PAINTERS AND PHOTOGRAPHERS. New York: Museum of Modern Art, May 1932 [2,000 copies].
KLEE. James Thrall Soby: THE PRINTS OF PAUL KLEE. New York: Curt Valentin, 1945. First edition [1,000 copies].
Lustig, Alvin and James Laughlin: BOOKJACKETS BY ALVIN LUSTIG FOR NEW DIRECTIONS BOOKS. New York: Gotham Book Mart Press, 1947.
MARTENS. Carel Kuitenbrouwer [intro]: KAREL MARTENS: COUNTERPRINT. London: Hyphen Press, 2004.
Moholy-Nagy, László: THE NEW VISION: FROM MATERIAL TO ARCHITECTURE. New York: Brewer, Warren & Putnam, Inc. [1930/1932: publication date in dispute]
Moholy-Nagy, László: THE NEW VISION [Fundamentals of Design, Painting, Sculpture, Architecture]. New York: W. W. Norton & Company, 1938. Inscribed copy with a partial dust jacket.
Munari, Bruno [Designer], Carlo Lodovico Ragghianti [Introduction]: HANDICRAFT AS A FINE ART IN ITALY. New York: Handicraft Development Inc., and CADMA Florence, 1948.
NOGUCHI. Tokyo: Bijutsu Shuppansha-Sha, 1953. Isamu Noguchi, S. Takiguchi, and S. Hasegawa.
PRESTINI'S ART IN WOOD. Lake Forest, IL: The Pocahontas Press, 1950. Edgar Kaufmann Jr. and Barbara Morgan.
RAYMOND, ANTONIN: ARCHITECTURAL DETAILS 1938. Tokyo/New York: Antonin & Noémi Pernessin Raymond / The Architectural Forum, 1938. First edition of 1,000 copies [stated].
RAYMOND, Antonin and Noémi, Elie Faure [preface]: ANTONIN RAYMOND: HIS WORK IN JAPAN 1920 – 1935. Tokyo: Johnan Shoin, [c. 1935].
Rassegna 53: Karel Teige, Architettura e Poesia. Bologna: Editrice Compositori srl, 1993.
Réalités Nouvelles No. 4, 1950. A. Frédo Sidés; [Paris]: Comité du Salon des Réalités Nouvelles, 1950.
RING "NEUE WERBEGESTALTER" AMSTERDAMER AUSSTELLUNG VON 1931 [Typographie kann unter umstanden Kunst Sein]. Landesmuseum Wiesbaden, 1990, Kees Broos [essay].
RODCHENKO. Margarita Tupitsyn: ALEKSANDR RODCHENKO: THE NEW MOSCOW [Photographs from the L. and G. Tatunz Collection]. Münich: Schirmer/Mosel, 1998.
SCHWITTERS [Kurt]. Pasadena Art Museum, 1962. Original Poster mailer.
SCHWITTERS, KURT. Ernst Schwitters [essay]: KURT SCHWITTERS: TYPOGRAPHIE UND WERBEGESTALTUNG [Typographie kann unter umstanden Kunst Sein]. Landesmuseum Wiesbaden, 1990.
Tschichold, Jan [Designer]: THE PENROSE ANNUAL [Review Of The Graphic Arts Volume 40]. London: Lund Humphries, 1938.
TYPOGRAPHICA 12. London: Lund Humphries, December 1965 [New Series], Herbert Spencer [Editor].
STRUCTURE: MAGAZINE ON CONSTRUCTIONIST ART. Joost Baljeu [Editor], Amsterdam: De Beuk, Second Series 2, 1960.
STRUCTURE: ANNUAL ON THE NEW ART. Joost Baljeu, Eli Bornstein [Editors], Wim Crouwel [Designer], Saskatoon, Canada: University of Saskatchewan, Volume 1, 1958.
SUGIMOTO, Hiroshi. Kerry Brougher, Takaaki Matsumoto [Designer]: HIROSHI SUGIMOTO. Ostfildern: Hatje Cantz, 2010. In Publisher’s shrinkwrap.
VISUAL POETRY. Luciano Ori [Curator]: LA POESIA VISIVA (1963 - 1979). Florence: Vallecchi, 1979.
VORDEMBERGE-GILDEWART, FRIEDRICH : TYPOGRAPHIE UND WERBEGESTALTUNG. [Typographie kann unter umstanden Kunst Sein]. Landesmuseum Wiesbaden, 1990.
ZWART. Fridolin Muller [Editor], Peter Althaus [intro]: PIET ZWART. Teufen: Verlag Arthur Niggli, 1966.

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