CATALOG DESIGN PROGRESS:
Advancing Standards in Visual Communication
Ladislav Sutnar and K. Longberg-Holm
Ladislav Sutnar and K. Longberg-Holm: CATALOG DESIGN PROGRESS: Advancing
Standards in Visual Communication. NYC: Sweet's Catalog Service, 1950. A
fine plastic coil-bound book in a near-fine dust jacket. The screen-printed
cover boards have one smudge to the yellow ink and the die-cut dust jacket
has a couple of spots darkening the uncoated tan paper. It is difficult to
imagine finding a nicer copy of this landmark edition.
9.5 x 12.5 hardcover book with approximately 106 illustrated pages. In
addition to the presence of the scarce dust jacket, this book also includes
the folowing pieces of ephemera laid in: one 8.5 x 11 folded mailing order
forms (designed by Sutnar), one 11 x 14 pre-publication folder/order form
(designed by Sutnar) and one 8.5 x 11 folded mailing order form for
American Standard Catalogues (also designed by Sutnar). There is also a
publishers second of the Architectural Review (March 1951) review of
Catalogue Design. The presence of this original ephemera make this a truly
one-of-a-kind offering.
According to Steven Heller: "Over forty years after its publication,
Catalog Design Progress remains the archetype for functional design. It is
a textbook for how designers can organize and prioritize information in a
digital environment... "
"...Ladislav Sutnar was a progenitor of the current practice of information
graphics, the lighter of a torch that is carried today by Edward Tufte and
Richard Saul Wurman, among others. For a wide range of American businesses,
Sutnar developed graphic systems that clarified vast amounts of complex
information, transforming business data into digestible units. He was the
man responsible for putting the parentheses around American telephone
area-code numbers when they were first introduced."
"As impersonal as the area-code design might appear, the parentheses were
actually among Sutnar's signature devices, one of many he used to
distinguish and highlight information. As the art director, from 1941 to
1960, of F.W. Dodge's Sweet's Catalog Service, America's leading
distributor and producer of trade and manufacturing catalogues, Sutnar
developed various typographic and iconographic navigational devices that
allowed users to efficiently traverse seas of data. His icons are analogous
to the friendly computer symbols used today."
"He made Constructivism playful and used geometry to create the dynamics of
organization," says Noel Martin, who was a member of Sutnar's small circle
of friends in the late 1950s."
"One of his favorite comments was: "Without efficient typography, the jet
plane pilot cannot read his instrument panel fast enough to survive. [So]
new means had to come to meet the quickening tempo of industry. Graphic
design was forced to develop higher standards of performance to speed up
the transmission of information. [And] the watchword of today is 'faster,
faster'; produce faster, distribute faster, communicate faster." ©2004 AIGA
out of stock
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