Ades, Dawn: PHOTOMONTAGE. NYC: Pantheon Books, 1976.
[A-D] E. McKnight Kauffer, Leslie and Seitlin [Editors]: A-D [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., December-January 1941- 1942, Volume 8, No. 2.
[A-D] Will Burtin, Leslie and Seitlin [Editors]: A-D [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 8, No. 3: February-March 1942.
[A-D] Robert L. Leslie and Percy Seitlin [Editors]: A-D [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 8, No. 4: April-May 1942.
Alfieri , Bruno (founder and editor): PAGINA 5 [INTERNATIONAL REVIEW OF GRAPHIC DESIGN]. Milan: Societa Italiana di Grafica, No. 5. August 1964.
Alvard and Gindertael: TEMOIGNAGES POUR L'ART ABSTRAIT 1952. Paris: Editions d'Art d'Aujourd'hui, 1952.
Ambasz, Emilio: ITALY: THE NEW DOMESTIC LANDSCAPE. ACHIEVEMENTS AND PROBLEMS OF ITALIAN DESIGN. NYC: Museum of Modern Art, New York, in association with Centro Di, Florence. 1972.
[Arts et Metiers Graphiques] Charles Peignot: ARTS ET METIERS GRAPHIQUES 55. Paris: Arts et Métiers Graphiques, 1936.
[ART D'AUJOURD'HUI] Andre Bloc and Pierre Lacombe [Directeur]: ART D'AUJOURD'HUI. Paris: Aujourd'hui, Fevrier - Mars 1952 [Serie 3, Numero 3 et 4].
[AUJOURD'HUI] Andre Bloc and Pierre Lacombe [Directeur]: AUJOURD'HUI. Paris: Aujourd'hui, Fevrier - Mars 1952 [Serie 3, Numero 3 et 4].
[Avedon, Richard] Richard Avedon portraits in: GRAPHIS 86. Zurich: Graphis Press, Volume 15, No. 86, 1959.
[BAUHAUS] Heinz Loew and Helene Nonne-Schmidt: JOOST SCHMIDT: LEHRE UND ARBEIT AM BAUHAUS 1919 - 1932. Dusseldorf: Edition Marzona, n. d.
[BAUHAUS] Gerd Fleischmann: BAUHAUS: DRUCKSACHEN, TYPOGRAFIE, REKLAME. Dusseldorf: Edition Marzona, 1984.
[BAUHAUS] Hans M. Wingler: BAUHAUS IN AMERICA [Responanz und Weiterentwicklung / Repercussion and Further Development]. Berlin: Bauhaus-Archiv, 1972.
[Bayer, Herbert]: AIRWAYS TO PEACE. The Bulletin of the Museum of Modern Art. Volume 11, Number 1, August 1943.
Bayer, Gropius and Gropius [Editors]: BAUHAUS 1919-1928. New York: Museum of Modern Art, 1938.
[Bayer, Herbert] Eckhard Neumann, Magdalene Droste: HERBERT BAYER: DAS KUNSTLERISCHE WERK 1918-1938. Berlin: Bauhaus-Archiv, 1982.
Bayer, Paepcke and Leger: MODERN ART IN ADVERTISING: AN EXHIBITION OF DESIGNS FOR CONTAINER CORPORATION OF AMERICA. Philadelphia: the Philadelphia Art Alliance, 1946.
[Bayer, Herbert] Alexander Dorner: THE WAY BEYOND 'ART' - THE WORK OF HERBERT BAYER. NYC: Wittenborn, Schultz Inc. 1947.
Bayer, Herbert [Designer]: ELECTRONICS -- A NEW SCIENCE FOR A NEW WORLD. Schenectady: General Electric Co., 1942.
[Bayer, Herbert] Leslie and Seitlin [Editors]: PM [AN INTIMATE JOURNAL FOR ART DIRECTORS, PRODUCTION MANAGERS, AND THEIR ASSOCIATES]. NYC: The Composing Room/P.M. Publishing Co., December 1939- January 1940 [Volume 6, No. 2].
[Bayer, Herbert] Leslie and Seitlin [Editors]: PM and A-D [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P. M. Publishing Co., [Volume 6, No. 1: October-November 1939 - Volume 6, No. 6: Aug
[Beall, Lester] A-D Gallery: A GUIDE TO LESTER BEALL [November 19 - December 31]. NYC: The Composing Room/A-D Gallery, 1945.
Beall, Lester: THE AGE OF THE AUTO [About U. S. - Experimental Typography By American Designers]. New York: The Composing Room, 1960.
Beall, Lester [Designer]: BUILDING FOR TOMORROW. Hartford: Connecticut General Life Insurance Company, n. d. [1957].
Lester Beall [Designer], Harry Groesbeck [text]: PHOTO-ENGRAVING. New York: Sterling Engraving Corp. 1938 [number 2 of 8].
Biermann, Aenne [Anna Sibylla Sternefeld]: 60 FOTOS. 60 PHOTOS. 60 PHOTOGRAPHIES [Fototek 2]. Berlin: Klinkhart & Biermann, 1930.
Bill, Max [Designer/Author]: ALLIANZ [Vereinigung Moderner Schweizer Kunstler]. Zurich: Kunsthaus Zurich, 1942.
Bill, Max [Designer]: ALLIANZ [Vereinigung Moderner Schweizer Kunstler]. Zurich: Kunsthaus Zurich, 1947.
Bill, Max [Designer], Wilhelm Wartmann [introduction]: ANTOINE PEVSNER, GEORGES VANTONGERLOO, MAX BILL. Zurich: Kunsthaus Zürich, 1949.
Bill, Max: FORM. A BALANCE SHEET OF MID-TWENTIETH CENTURY TRENDS IN DESIGN [EINE BILANZ UBER DIE FORMENTWICKLUNG UM DIE MITTE DES XX JAHRHUNDERTS / UN BILAN DE L’EVOLUTION DE LA FORME AU MILIEU DU XXE SIECLE]. Basel: Verlag Karl Werner, 1952.
Binder, Joseph: PM MAGAZINE: Volume 6, No. 4: April-May 1940.
Brodovitch, Alexey: BALLET [104 Photographs by Alexey Brodovitch]. New York: J. J. Augustin, 1945. In Publishers Slipcase.
[Brodovitch] Grundberg, Andy : BRODOVITCH [Masters of American Design]. NYC: Abrams, 1989.
[Brodovitch] New School For Social Research: NEW SCHOOL FOR SOCIAL RESEARCH ART CLASSES 1941 - 1942. NYC: New School For Social Research, 1941.
Brodovitch and Zachary: PORTFOLIO. A MAGAZINE FOR THE GRAPHIC ARTS 1-3. Cincinnati: Zebra Press, Volume 1, Number 1-3, Winter 1950 - Spring 1951 [complete set with mailing carton].
Broos, Kees [essay]: RING "NEUE WERBEGESTALTER" AMSTERDAMER AUSSTELLUNG VON 1931. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Broos, Kees: PIET ZWART 1885 - 1977. Amsterdam: Haags Gemeentemuseum Van Gennep Amsterdam, 1973.
Burtin, Will, Dr. Robert Leslie, Hortense Mendel: A-D PRESENTS W B [Envelope title]. New York: The Composing Room/A-D Gallery, 1948.
Burtin, Will: AD MAGAZINE: Volume 8, No. 3: February-March 1942.
Capek and Chino: CAPEK'S BOOKSHELF: THE BOOK DESIGN OF JOSEF CAPEK. Tokyo: PIE Books, 2003.
Carboni, Erberto, Herbert Bayer (introduction): EXHIBITIONS AND DISPLAYS. Milan: Silvana, Editoriale d'Arte, 1959.
Carboni, Erberto and Gio Ponti [introduction]: PUBLICITE POUR LA RADIOTELEVISION [RADIO AND TELEVISION PUBLICITY]. Milano: Silvana Editoriale d'Arte, 1959.
Cartier-Bresson, Henri: IMAGES A LA SAUVETTE. Paris: Editions Verve, 1952.
Cassandre, A. M. : WORDS -- A BIFUR TYPE SPECIMEN SAMPLER. Paris: Deberny et Peignot, n. d. (circa 1930).
Cassandre, A. M. [Adolphe Jean-Marie Mouron]: PEIGNOT [Caractere Dessine Par A. M. Cassandre]. Paris: Deberny et Peignot, 1937.
Cassandre, A. M. [Adolphe Jean-Marie Mouron] Ernestine M. Fantl [Foreword]: POSTERS BY CASSANDRE. New York: Museum of Modern Art, January 1936.
[C C A] Massey, Bayer, Ogilvy, Patterson, Adler, Schulze: GREAT IDEAS. Chicago: Container Corporation of America, 1976.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT 3: DADA. NYC: AGP Mathews/Ex Libris, 1981.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 8: THE BAUHAUS AND ITS LEGACY. NYC: Ex Libris, 1979.
Cohen, Arthur A. and Elaine Lustig: EX LIBRIS 11: BAUHAUS. NYC: Ex Libris, 1985.
Cohen, Arthur A.: THE AVANT GARDE IN PRINT [5 volume set] 1: FUTURISM; 2: LISSITZKY; 3: DADA; 4: TYPOGRAPHY [Master Designers in Print 1] ; and 5: TYPOGRAPHY [Master Designers in Print 2]. New York: AGP Mathews/Ex Libris, 1981.
[CORPORATE IDENTITY] Nagai and Nakanishi [editors]: WORLD GRAPHIC DESIGN NOW 4: CORPORATE IDENTITY. Tokyo: Nippon Shuppan Hanbai, 1989.
Crosby/Fletcher/Forbes [Theo Crosby, Alan Fletcher, Colin Forbes]: BUILDINGS INTERIORS EXHIBITIONS. London: Crosby/Fletcher/Forbes, [n.d., c. 1966].
Crosby/Fletcher/Forbes: A BOOK OF MATCHES. London: Crosby/Fletcher/Forbes, [n. d., c. 1967].
Crosby/Fletcher/Forbes [Theo Crosby, Alan Fletcher, Colin Forbes]: OBJECTS COUNT. London: Crosby/Fletcher/Forbes, [n.d., c. 1967].
[CZECH CUBISM] Alexander von Vegesack [Editor]: CZECH CUBISM: ARCHITECTURE, FURNITURE, DECORATIVE ARTS 1910 - 1925. Princeton, NJ and Weil am Rhein: Princeton Architectural Press and Vitra Design Museum, 1992.
Dean, Charles: PM MAGAZINE. Volume 4, No. 12: April-May 1939.
Diethelm, Walter: VISUAL TRANSFORMATION: CREATIVE TENDENCIES IN GRAPHIC DESIGN, FINE ART, TECHNOLOGY, AND INFORMATION TECHNIQUES. Zurich: ABC Verlag, 1982.
Diffrient, Neils, Alvin R. Tilley and Joan C. Bardagjy [Authors], Henry Dreyfuss Associates [design]: HUMANSCALE 1/2/3 [A Portfolio of Information]. Cambridge: The MIT Press, 1974.
Doisneau, Robert [Photographs], John McConnell [Design]: IMPRIMERIES CLANDESTINES [PENTAGRAM PAPERS 13]. London and New York: Pentagram Design, n.d [1986].
[Dorfsman, Lou] Virginia Smith [Editor/Art Director]: ARTOGRAPH 5: LOU DORFSMAN. New York City: Baruch College, CUNY, 1985.
[Dorfsman, Lou] Dick Hess and Marion Muller: DORFSMAN & CBS. New York: American Showcase, 1987.
Entenza, John [Editor]: ARTS AND ARCHITECTURE. Los Angeles: John D. Entenza, Volume 64, number 2, February 1947. Cover by Herbert Matter.
Entenza, John [Editor]: ARTS AND ARCHITECTURE. Los Angeles: John D. Entenza, Volume 64, number 5, May 1947. Cover by Harry Bertoia.
Entenza, John [Editor]: ARTS AND ARCHITECTURE. Los Angeles: John D. Entenza, Volume 65, number 7, July 1948. Cover by Gyorgy Kepes.
Entenza, John [Editor]: ARTS AND ARCHITECTURE. Los Angeles: John D. Entenza, Volume 65, number 11, November 1948. Cover design by Saul Bass.
[Erni] Frank Thiessing {Editor]: HANS ERNI: ELEMENTS OF FUTURE PAINTING. Zurich: Verlag Zollikofer & Co., St. Gallen, 1948.
Federico and Seitlin: LOVE OF APPLES [ABOUT U. S.--EXPERIMENTAL TYPOGRAPHY BY AMERICAN DESIGNERS]. NYC: The Composing Room, 1961.
[Feininger, Lyonel] Bruno Monguzzi [Designer]: LYONEL FEININGER: LA VARIANTE TEMATICA E TECNICA NELLO SVILUPPO DEL PROCESSO CREATIVO. Lugano: Fidia Edizioni d'Arte, 1991. Inscribed by Bruno Monguzzi.
Fletcher, Alan, Colin Forbes, Bob Gill: FLETCHER / FORBES / GILL 1962 / 3 [spine title]. London: Fletcher, Forbes, Gill, Ltd., n. d. [1964].
Flora, James [Jim] [Designer], Paul Affelder [Editor]: CODA [A Preview of Columbia Masterworks]. [New York: Columbia Records] February 1945.
[GEBRAUCHSGRAPHIK] H. K. Frenzel [Editor]: GEBRAUCHSGRAPHIK. Berlin: Gebrauchsgraphik, October 1929 [Volume 6, Number 10].
[GEBRAUCHSGRAPHIK] H. K. Frenzel [Editor]: GEBRAUCHSGRAPHIK. Berlin: Gebrauchsgraphik, June 1930 [Volume 7, Number 6].
[GEBRAUCHSGRAPHIK] H. K. Frenzel [Editor]: GEBRAUCHSGRAPHIK. Berlin: Gebrauchsgraphik, September 1931 [Volume 8, Number 9].
[GEBRAUCHSGRAPHIK] H. K. Frenzel [Editor]: GEBRAUCHSGRAPHIK. Berlin: Gebrauchsgraphik, January 1935 [Volume 12, Number 1].
[GEBRAUCHSGRAPHIK] H. K. Frenzel [Editor]: GEBRAUCHSGRAPHIK. Berlin: Gebrauchsgraphik, May 1935 [Volume 12, Number 5].
[GEBRAUCHSGRAPHIK] H. K. Frenzel [Editor]: GEBRAUCHSGRAPHIK. Berlin: Gebrauchsgraphik, November 1935 [Volume 12, Number 11].
Gerstner, Karl: COMPENDIUM FOR LITERATES: A SYSTEM OF WRITING. Cambridge: The MIT Press, 1974.
Gerstner, Karl: DIE NEUE GRAPHIK / THE NEW GRAPHIC ART / LE NOUVEL ART GRAPHIQUE. Teufen AR, Switzerland: Arthur Niggli, 1959. Inscribed to Piet Zwart.
Gerstner, Karl, Markus Kutter: DIE NEUE GRAPHIK / THE NEW GRAPHIC ART / LE NOUVEL ART GRAPHIQUE. Teufen AR, Switzerland: Arthur Niggli, 1959.
Gerstner, Karl: DESIGNING PROGRAMMES. Teufen, AR: Arthur Niggli, 1964. Inscribed to Gene Federico.
Gerstner, Karl: DESIGNING PROGRAMMES. New York: Hastings House, 1968. Paul Rand's copy.
Gerstner, Karl & Henri Stierlin [Editor]: THE SPIRIT OF COLORS: THE ART OF KARL GERSTNER. Cambridge: The MIT Press, 1981.
[Ginza Graphic Gallery] Philip B. Meggs [Introduction]: 6 CHAPTERS IN DESIGN: BASS, CHERMAYEFF, GLASER, RAND, TANAKA, TOMASZEWSKI. San Francisco: Chronicle Books, 1997.
[Golden, William] Cipe Pineles Golden; Kurt Weihs; Robert Strunsky; Will Burtin [introduction]; Frank Stanton [Preface]: THE VISUAL CRAFT OF WILLIAM GOLDEN. New York: George Braziller, Inc. 1962.
[GRAPHIS] Herdeg, Walter [Editor]: GRAPHIS. Zurich: Graphis Press, Volume 1, No. 1/2, 1944 - Volume 42, Number 246, November/December 1986.
[GRAPHIS ANNUALS] Herdeg, Walter [Editor]: GRAPHIS ANNUAL. Zurich: Graphis Press, 1952 - 1986.
[GRAPHIS] Herdeg, Walter [Editor]: ARCHIGRAPHIA [Architectural & Environmental Graphics / Architektur- und Signalisierungsgraphik /la Creation Graphique Appliquee a L'Architecture et a L'Environment]. Zurich: The Graphis Press, 1978.
Greiman, April: DESIGN QUARTERLY 133: DOES IT MAKE SENSE? Cambridge: MIT Press/Walker Art Center, 1986.
Gropius and Harkness [Editors]: THE ARCHITECTS COLLABORATIVE 1945 - 1965 [Die Architektengemeinschaft TAC]. Teufen AR, Switzerland: Verlag Arthur Niggli AG, 1966. Signed by Walter Gropius.
Giusti, George: AD MAGAZINE. Volume 7, No. 4: April-May 1941.
Harley-Davidson Motor Company: 1936 . . . AND WAY OUT IN FRONT [brochure title]. [Milwaukee: Harley-Davidson Motor Company, 1936].
Harling, Robert (Editor): TYPOGRAPHY 2. London: The Shenval Press, 1937. Spring 1937 Quarterly issue.
Harling, Robert [Editor]: TYPOGRAPHY 7. London: The Shenval Press, Winter 1938.
Harling, Robert [Editor]: TYPOGRAPHY 8. London: The Shenval Press, Summer 1939.
Hatje, Gerd [Editor]: IDEA 53 [International Design Annual. Internationales Jahrbuch Fur Formgebung. Annuaire International Des Formes Utiles]. New York: Wittenborn, Schultz, 1952.
Huber, Max [Curator/Designer], Carlo Pirovano [Editor]: MAX HUBER: PROGETTI GRAFICI 1936 - 1981. Milan: Electa, 1982 [Pagina series].
Igarashi, Takenobu: ABCDEFGHIJKLMNOPQRSTUVWXYZ: SCULPTURES BY TAKENOBU IGARASHI. Tokyo: Alphabet Gallery, 1985. First edition [limited to 1,000 copies].
[INDUSTRIAL DESIGN] Jane Fisk Mitarachi [Editor]: INDUSTRIAL DESIGN 5. New York: Whitney Publications, Inc., October 1954 [Volume 1, Number 5].
[INDUSTRIAL DESIGN] Society of Industrial Artists: DESIGNERS IN BRITAIN 2: A BIENNIAL REVIEW OF GRAPHIC AND INDUSTRIAL DESIGN. London and New York: Allan Wingate and Museum Books, 1949.
[INDUSTRIAL DESIGN] Society of Industrial Artists: DESIGNERS IN BRITAIN 3: A BIENNIAL REVIEW OF GRAPHIC AND INDUSTRIAL DESIGN [The Great Exhibition 1851-The Festival of Britain 1951]. New York and London: Museum Books and Allan Wingate 1951.
[INDUSTRIAL DESIGN] Society of Industrial Artists: DESIGNERS IN BRITAIN 4. London: Allan Wingate, 1954.
[Italian Design] Paolo Bonaiuto (preface): PUBLICITA IN ITALIA 1971-1972 [ADVERTISING IN ITALY / PUBLICITE EN ITALIE / WERBUNG IN ITALIEN]. Milano: Editrice L’Ufficino Moderno, 1972.
Itten, Johannes [Director]: KUNSTGEWERBESCHULE ZURICH 1954. Zurich: Kunstgewerbeschule Zurich 1954.
Jacobson, Egbert [Editor]: SEVEN DESIGNERS LOOK AT TRADEMARK DESIGN. Chicago: Paul Theobald, 1952.
Kamekura, Yusaku: THE GRAPHIC DESIGN OF YUSAKU KAMEKURA. NYC/Tokyo: Weatherhill/Bijutsu Shuppan-Sha, 1973.
Kamens, Irvine: AD MAGAZINE. Volume 6, No. 6: August-September 1940.
[Kauffer, E. McKnight] Mark Haworth-Booth: E. MCKNIGHT KAUFFER. A DESIGNER AND HIS PUBLIC. London: Gordon Fraser, 1979.
Kauffer, E. McKnight: AD MAGAZINE. Volume 8, No. 2: December-January 1941-42.
Kauffer, E. [Edward] McKnight, Aldous Huxley [Foreword]: POSTERS BY E. MCKNIGHT KAUFFER. New York: Museum of Modern Art, February 1937.
Klee, Paul: PADAGOGISCHES SKIZZENBUCH. Munich: Albert Langen Verlag, 1925 [Bauhausbucher 2].
[Klein, William] William Klein: Painter, Photographer, Film-maker by Chris Marker in: GRAPHIS 194. Zurich: Graphis Press 1978. Volume 33, No. 194, 1978.
[Knoll] Herbert Matter (designer), Knoll Associates: KNOLL INDEX OF DESIGNS. NYC: Knoll Associates, Inc., with Hockaday Associates, 1950.
Koyanagi, Mikado: BOOK DESIGN OF GRAPHIC DESIGNERS IN THE WORLD. Tokyo: PIE Books, 2007.
Lustig, Alvin: THE COLLECTED WRITINGS OF ALVIN LUSTIG. New Haven: Holland R. Melson, Jr., 1958.
Lustig, Alvin (designer), The Society of Industrial Designers (editors): INDUSTRIAL DESIGN IN AMERICA 1954. NYC: Farrar, Straus & Young, Inc., 1954.
Lustig, Alvin [Designer], Jane Fisk Mitarachi [Editor]: INDUSTRIAL DESIGN. New York: Whitney Publications, Inc., Volume 1, Numbers 1 -3, February, April, June 1954. Complete Set of the Lustig Issues.
Lyons Nathan, Syl Labrot and Walter Chappell: UNDER THE SUN: THE ABSTRACT ART OF CAMERA VISION [NATHAN LYONS / SYL LABROT / WALTER CHAPPELL]. New York City: George Braziller, Inc., 1960.
Maan and Van Der Ree: TYPO-FOTO/ELEMENTAIRE TYPOGRAFIE IN NEDERLAND 1920-1940. Antwerp: Veen/Reflex, 1990.
Maier, Manfred: BASIC PRINCIPLES OF DESIGN [The Foundation Program at the School of Design Basel Switzerland]. New York: Van Nostrand Reinhold Company, 1977. 4 Volume Set, all published.
[Maillart, Robert] Max Bill: ROBERT MAILLART [Brucken und Konstruktionen / Ponts ut Constructions / Bridges and Constructions]. Zurich: Verlag Verlag Girsberger, 1955.
[Masereel, Franz] Avermaete, Roger: FRANZ MASEREEL. London: Thames and Hudson, 1977.
[Matter, Herbert] PLUS 1: ORIENTATIONS OF CONTEMPORARY ARCHITECTURE bound into THE ARCHITECTURAL FORUM. Philadelphia: Time, Inc., Vol. 69, no. 6, December 1938.
Matter, Herbert [Designer], Knoll Associates: CHAIRS. New York: Knoll Associates, Inc., with Hockaday Associates, 1950.
Matter, Herbert [Designer], Knoll Associates: CHESTS, CABINETS, BEDS. New York: Knoll Associates, Inc., with Hockaday Associates, 1950.
[Matter, Herbert] Jeffrey Head [text]: HERBERT MATTER: MODERNIST PHOTOGRAPHY AND GRAPHIC DESIGN. Palo Alto, CA: Stanford University Libraries, 2005.
[Mayakovsky] Vladimir Remes [essay]: VLADIMIR MAJAKOVSKIJ, O TOM. Prague: Mlada Fronta, 1987.
Mercer and Holme (editors): ART & INDUSTRY. London: The Studio, July - December 1936 (volume 21).
[Metzker, Ray K.] Anne Wilkes Tucker: UNKNOWN TERRITORY: PHOTOGRAPHS BY RAY K. METZKER. Houston: The Museum of Fine Arts, Houston, 1984. Inscribed by Ray Metzker.
[MOEBEL + DECORATION] Konradin-Verlag Robert Kohlhammer: MOEBEL + DECORATION. Stuttgart: Konradin-Verlag Robert Kohlhammer GmBH, Heft 2, 1955.
Moholy-Nagy, Laszlo: 60 FOTOS. 60 PHOTOS. 60 PHOTOGRAPHIES [Fototek 1]. Berlin: Klinkhart & Biermann, 1930.
[Moholy-Nagy, Laszlo] Hight, Eleanor M.: MOHOLY-NAGY: PHOTOGRAPHY AND FILM IN WEIMAR GERMANY. Wellesley MA: Wellesley College Museum, 1985.
[Moholy-Nagy] Julie Saul [essay]: MOHOLY-NAGY / FOTO-PLASTIKS: THE BAUHAUS YEARS. New York: The Bronx Museum of the Arts, 1983.
[Moholy-Nagy] Annely Juda Fine Art: LASZLO MOHOLY-NAGY: A LIFE IN MOTION. London: Annely Juda Fine Art, 2004.
Moholy-Nagy, Laszlo [Editor]: TELEHOR [mezinarodni casopis pro visualni kulturu / internationale zeitschrift fur visuelle kultur / the international review new vision / revue internationale pour la culture visuelle]. Brno, Czechoslovakia: Frantisek Kalivo
Moholy-Nagy, Laszlo: VISION IN MOTION. Chicago: Theobald 1947.
Muller-Brockmann, Josef: THE GRAPHIC ARTIST AND HIS DESIGN PROBLEMS / GESTALTUNGSPROBLEME DES GRAFIKERS / LES PROBLEMES D'UN ARTISTE GRAPHIQUE. Teufen AR, Switzerland: Arthur Niggli, 1968.
Munari, Bruno: NELLA NOTTE BUIA. Milan: Giuseppe Muggiani, 1956.
[Munari, Bruno] Aldo Tanchis: BRUNO MUNARI: DESIGN AS ART. Cambridge: MIT Press, 1987.
Nakamura and Fukuda: JAPON – JOCONDE [JOCONDE CENT SOURIRES | MONA LISA, INRE HUNDERT LACHELN | MONA LISA'S HUNDRED SMILES]. Tokyo: Toppan Co. [Produced by Color Planning Center], 1971.
Noyes, Eliot: ORGANIC DESIGN IN HOME FURNISHINGS. NYC: Museum of Modern Art, 1941.
[OCTAVO] Burke, Holt, Johnson, Muir [Editors]: OCTAVO. JOURNAL OF TYPOGRAPHY 88.5 [lower case issue]. London: Eight Five Zero, August 1988.
[OCTAVO] Burke, Holt, Johnson, Muir [Editors]: OCTAVO. JOURNAL OF TYPOGRAPHY 88.6 [Environment issue]. London: Eight Five Zero, January 1989.
[OFFRAMP] Elizabeth Diller and Ricardo Scofidio [contributors]: OFFRAMP [BODYBUILDINGS]. Los Angeles: Southern California Institute of Architecture, Volume 1, No. 1, 1988.
[Outerbridge, Paul] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. NYC: The Composing Room/P.M. Publishing Co., Volume 3, No. 3: November 1936.
[PAGINA SERIES] Carlo Pirovano [Editor]: LO STUDIO BOGGERI 1933 - 1981; CAMPO GRAFICO 1933 - 1939 [RIVISTA DI ESTETICA E DI TECNICA GRAFICA]; MAX HUBER: PROGETTI GRAFICI 1936 - 1981; HANS NEUBURG: 50 ANNI DI GRAFICA COSTRUTTIVA. Milan: Electa, 1981 - 1983
[PHOTOGRAPHIE] Andre Beucler [Essayist]: PHOTOGRAPHIE [PHOTO 1932]. Paris: Arts et Metiers Graphiques, 1932.
[PHOTOGRAPHIE] Jean Selz [Editor]: PHOTOGRAPHIE 1939. Paris: Arts et Metiers Graphiques, September 1938.
[PHOTOGRAPHIE] Andre Lejard [Essayist]: PHOTOGRAPHIE 1940. Paris: Arts et Metiers Graphiques, November 1939.
[PHOTOGRAPHY] Maurice Collet [Editor]: PHOTO 49 [Advertising and Graphic Art]. Geneva: Maurice Collet Editeur, 1949.
[PM] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. NYC: The Composing Room/P.M. Publishing Co., Volume 2, No 1: August 1935.
[PM] Lucian Bernhard, Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 2, No. 7: March 1936.
[PM] Gustav Jensen, Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 3, No. 1: September 1936.
[PM] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 3, No. 2: October 1936.
[PM] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 3, No. 6: February 1937.
[PM] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 3, No. 8: April 1937.
[PM] Buk Ulreich, Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 3, No. 11: July 1937.
[PM ] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Volume 4, No. 11: February-March 1939.
[POSTERS] W. H. Allner [Editor]: INTERNATIONAL POSTER ANNUAL '51. New York: Pelligrini and Cudahy, 1951.
[POSTERS] W. H. Allner [Editor]: INTERNATIONAL POSTER ANNUAL '52. New York: Pellegrini & Cudahy. 1952.
[POSTERS] Arthur Niggli [Editor], Hiroshi Ohchi, Richard Williams and Karl Gerstner [essays]: INTERNATIONAL POSTER ANNUAL 1956 - 1957. Switzerland: Niggli and Verkauf Teufen, 1957.
[POSTERS] Siegfried Odermatt [Designer], Hans Fischli [foreword]: MEISTER DER PLAKATKUNST [Masters of Poster Art]. Zurich: Kunstgewerbemuseum, 1959.
[POSTERS] Fernand Mourlot: AFFICHES ORIGINALES DES MAITRES DE L ' ECOLE DE PARIS. [BRAQUE | CHAGALL | DUFY | LEGER | MATISSE | MIRO | PICASSO]. Paris: Andre Sauret, 1959.
[POSTER] Tom Daly [Designer]; Kenneth Harris [Photographer]; Wanda Embry [Model]: THE 46TH ANNUAL EXHIBITION OF ADVERTISING AND EDITORIAL ART AND DESIGN. New York: The Art Directors Club, 1966.
[PUBBLICITA] Franco Grignani [Designer], Gillo Dorfles [introduction]: PUBBLICITA IN ITALIA 1958 – 1959. Milan: L'Ufficio Moderno, 1958.
[PUBLICITE] Collet, Maurice [Editor]: PUBLICITE 6 [Review of Publicity and Advertising Arts in Switzerland]. Geneva: Maurice Collet Editeur, n.d. [1950].
[PUBLICITE] Collet, Maurice [Editor]: PUBLICITE 8 [Review of Publicity and Advertising Arts in Switzerland]. Geneva: Maurice Collet Editeur, n.d. [1954].
[PUBLICITE] Collet, Maurice [Editor]: PUBLICITE 10 [Review of Publicity and Advertising Arts in Switzerland]. Geneva: Maurice Collet Editeur, n.d. [1959].
[PUBLICITE] Collet, Maurice [Editor]: PUBLICITE 11 [Review of Publicity and Advertising Arts in Switzerland]. Geneva: Maurice Collet Editeur, n.d. [1961].
[PUBLICITE ] Maurice Collet [Editor]: PUBLICITE 1946-1947 [Review of Publicity and Advertising Arts in Switzerland]. Geneva: Maurice Collet Editeur, 1947.
Rand, Paul: THIS . . . IS THE STAFFORD STALLION. NYC: Goodman and Thiese, 1944.
[Rand, Paul] Robert Goldwater: MODERN ART IN YOUR LIFE. New York: Museum of Modern Art, 1949.
Rand, Paul: AD MAGAZINE. Volume 7, No. 3: Febraury- March 1941.
Rand, Paul, Dr. Robert Leslie and Hortense Mendel: A-D PRESENTS PAUL RAND [March 31 - May 29]. New York: The Composing Room/A-D Gallery, 1947.
[Rand, Paul] Leslie, Robert L. and Percy Seitlin [Editors] A-D. New York: The Composing Room/P.M. Publishing Co., [Volume 7, No. 3: February/March 1941]. An Inscribed Copy.
[Rand, Paul] Guillaume Apollinaire: THE CUBIST PAINTERS AESTHETIC MEDITATIONS 1913. New York: Wittenborn and Company, 1944. Inscribed by Paul Rand.
[Rand, Paul] Virginia Smith [Editor]: ARTOGRAPH # 6: PAUL RAND. New York: Baruch College, CUNY, 1988.
[Rand, Paul] Marcel Raymond: FROM BAUDELAIRE TO SURREALISM. New York: Wittenborn, Schultz, 1949. Inscribed by Paul Rand.
Rand, Paul with Paepcke and Jacobson: MODERN ART IN ADVERTISING. Designs for Container Corporation of America. Chicago: Container Corporation of America/Paul Theobald, 1946.
Rand, Paul profiled in: CREATION no. 1 [INTERNATIONAL GRAPHIC DESIGN, ART AND ILLUSTRATION. Tokyo: Recruit Co., Ltd., 1989.
Rand, Paul: A Designer's Art. New Haven: Yale University Press, 1985. First edition.
Rand, Paul: A DESIGNER'S ART. New Haven: Yale University Press, 1985. Inscribed to Gene Federico.
Rand, Paul, and John McAndrew [introduction]: A DESIGN STUDENT’S GUIDE TO THE 1939 NEW YORK WORLD’S FAIR. New York: Laboratory School of Industrial Design with The Composing Room/P.M. Publishing Co., [1939].
Rand, Paul [cover designer]: DIRECTION. Darien, CT: November/December 1938.
Rand, Paul [cover designer]: DIRECTION. Darien, CT: Summer 1940.
Rand, Paul [cover designer]: DIRECTION. Darien, CT: March 1941.
Rand, Paul [cover designer]: DIRECTION. Darien, CT: January 1941.
[Rand] Armando Milani, Paul Rand (introduction): A DOUBLE LIFE OF 80 AGI DESIGNERS...[Creativity and Sense of Humor]. Torino: Cartiere Burgo with the Alliance Graphique International, 1996.
Rand, Paul: A LOGO FOR E. F. [ENGLISH FIRST]. Weston, CT: Paul Rand, January 1994.
Rand, Paul: ESQUIRE FOR SEPT. . . ON GOING BACK TO SCHOOL. Chicago/New York: Esquire/Coronet, 1940.
Rand, Paul: GOOD DESIGN IS GOOD WILL. New Haven: Yale University School of Art, 1987.
Rand, Paul: IBM DESIGN PROGRAM [folder title]. Armonk, NY: International Business Machines Corporation, n.d. [November 1984].
Rand, Paul: THE GRAPHIC ART OF PAUL RAND. New York: The IBM Gallery, 1970.
Rand, Paul: THE IBM LOGO. Armonk, NY: International Business Machines Corporation, March 1990.
[Rand, Paul] Takashi Miyayama [Editor] and Hiroshi Ohchi [Art Director]: IDEA: INTERNATIONAL ADVERTISING ART. Tokyo: Seibundo- Shinkosha, 1959 [Vol. 2, no. 9, January 1955].
Rand, Paul: A NEW SYMBOL FOR THE UNITED STATES DEPARTMENT OF THE INTERIOR: BUREAU OF INDIAN AFFAIRS. Weston, CT: Paul Rand Inc, June 1968.
Rand, Paul: INTERFAITH DAY CEREMONIES. New York City: The Interfaith Movement, Inc, [1948].
Rand, Paul [Cover Designer], George Rosenthal [Editor], Frank Zachary [Managing Editor]: JAZZWAYS [A YEARBOOK OF HOT MUSIC]. Cincinnati: Jazzways, 1946.
[Rand, Paul] Thomas Mann: THE TABLES OF THE LAW. New York: Alfred A. Knopf, 1945. Inscribed by Paul Rand.
Rand, Paul: MECHANIZED MULES OF VICTORY. Ardmore, PA: The AutoCar Company, 1942.
Rand, Paul: DESIGN QUARTERLY 123: A PAUL RAND MISCELLANY. Cambridge: MIT Press/ Walker Art Center, 1984. Inscribed by Paul Rand.
[Rand, Paul] Robert Goldwater: MODERN ART IN YOUR LIFE. New York: Museum of Modern Art, 1953.
Rand, Paul: PAUL RAND -- MOHAWK GRAPHICS COLLECTION. Cohoes: Mohawk Papers Mills, 1988.
Rand, Paul: MECHANIZED MULES OF VICTORY. Ardmore, PA: The AutoCar Company, 1942.
Rand, Paul: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. NYC: The Composing Room/P.M. Publishing Co., Vol. 4, No. 9: Oct.-Nov. 1938.
[Rand, Paul] A Design Student's Guide to the 1939 New York World's Fair in: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., August-September 1939 [Volume 5, No. 2].
[Rand, Paul] Leslie and Seitlin [Editors]: PM [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P. M. Publishing Co., [Volume 4, No. 9: October-November 1938 - Volume 5, No. 2: August-Septembe
Rand, Paul: PM and A-D [An Intimate Journal For Art Directors, Production Managers, and their Associates]. New York: The Composing Room/P.M. Publishing Co., Vol. 4, No. 9: Oct.-Nov. 1938 and Vol. 7, No. 3: February-March 1941.
Rand, Paul: PORTFOLIO: A NEW KIND OF GRAPHIC ARTS MAGAZINE. N. P. [Cincinnati: Zebra Press, 1950].
Rand, Paul: PORTFOLIO. N. P. [Cincinnati: Zebra Press, 1950]. Letterhead, Mailing Envelope and Business Reply Card designed by Paul Rand.
Rand, Paul: SOME THOUGHTS . . . AND SOME LOGOS. Weston, CT: Paul Rand, 1991.
Rand, Paul: A NEW LOGO DESIGN FOR THE LIMITED: COLUMBUS, OHIO 43216. Weston, CT: Paul Rand, n. d. [1988].
Rand, Paul: THE TRADEMARKS OF PAUL RAND -- A SELECTION. NYC: George Wittenborn, Inc. 1960.
Rand, Paul: UCLA EXTENSION WINTER QUARTER BEGINS JANUARY 6 1990 [poster title]. [Los Angeles: University of California, Los Angeles, n. d. ]
Rand, Paul: UCLA SUMMER SESSIONS 1993 [poster title]. [Los Angeles: University of California, Los Angeles, n. d. ]
Rand, Paul: WESTINGHOUSE GRAPHICS IDENTIFICATION MANUAL and IMAGE BY DESIGN. Pittsburgh: Westinghouse Electric Corporation, 1961. In original Westinghouse mailing envelope.
[RASSEGNA] Vittorio Gregotti [Direttore responsabile]: 38 RASSEGNA: NEUES BAUEN IN DER WELT. Milan: Editrice CIPIA, 1989.
Rietveld, Gerrit and Pieter Brattinga [Designer]: RIETVELD, 1924. SCHRODER HUIS [QUADRAT-PRINT]. Hilversum: Steendrukkerij De Jong & Co, 1963.
[Rodchenko] German Kargino: RODCSENKO. Corvina: Budapest, 1975.
[Rodchenko] Dabrowski, Dickerman and Galassi: ALEKSANDR RODCHENKO: PAINTING, DRAWING, COLLAGE, DESIGN, PHOTOGRAPHY. New York: Museum of Modern Art, 1998.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 3. Milan: Domus, January 1955.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 4. Milan: Domus, April 1955.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 5. Milan: Domus, September 1955.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 6. Milan: Domus, February 1956.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 7. Milan: Domus, June 1956
Rosselli, Alberto [Editor]: STILE INDUSTRIA 9. Milan: Domus, December 1956.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 11. Milan: Domus, April 1957.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 12. Milan: Domus, June 1957.
Rosselli, Alberto [Editor]: STILE INDUSTRIA 30. Milan: Domus, January 1961.
Rothschild, Lupton and Goldstein: GRAPHIC DESIGN IN THE MECHANICAL AGE [Selections from the Merrill C. Berman Collection]. New Haven: Yale University Press in conjunction with the Williams College Museum of Art, the Cooper-Hewitt National Design Museum
Ruscha, Ed: ED RUSCHA. New York City: Robert Miller Gallery with the cooperation of the Leo Castelli Gallery, 1987. First edition [2,000 copies].
Sandberg, Willem H. J. B.: EXPERIMENTA TYPOGRAFICA II: DAS KONSTRUCKTIVE. Koln: Galerie der Spiegel, 1956.
Sandberg, Willem [Designer/Author], Pieter Brattinga [Editor]: NU - IN THE MIDDLE OF THE X X CENTURY and NU 2 - MAINTENANT - NOW - JETZT [QUADRAT-PRINTS]. Hilversum: Steendrukkerij De Jong & Co, 1959 / 1966.
Schmittel, Wolfgang: CORPORATE DESIGN INTERNATIONAL [DEFINITION AND BENEFIT OF A CONSISTENT CORPORATE APPEARANCE]. Zurich: ABC Verlag, 1984.
[Shuitema, Paul] Crouwel, W. H. [foreword]: PAUL SCHUITEMA. Rotterdam: Museum Boymans - van Beuningen, 1986.
Shulman, Julius and Pentagram: THE RUSSIAN GARBO [ANNA STEN, RICHARD NEUTRA, JULIUS SHULMAN] PENTAGRAM PAPERS 38. London, New York, San Francisco, Austin, Berlin: Pentagram Design, n. d. [2007].
Sinel, Joseph: PM MAGAZINE. Volume 2, No. 10: June 1936.
Spencer, Herbert: THE LIBERATED PAGE -- A TYPOGRAPHICA ANTHOLOGY. San Francisco: Bedford Press, 1987.
Spencer and Forbes: NEW ALPHABETS A TO Z. London: Lund Humphries, 1973.
Spencer, Herbert: TYPOGRAPHICA 2. London: Lund Humphries, 1960.
Spencer, Herbert: TYPOGRAPHICA 5. London: Lund Humphries, 1962.
Spencer , Herbert: TYPOGRAPHICA 9. London: Lund Humphries, 1964.
Spencer , Herbert: TYPOGRAPHICA 12. London: Lund Humphries, 1965.
Spencer , Herbert: TYPOGRAPHICA 13. London: Lund Humphries, 1966.
Spencer, Herbert [Editor]: TYPOGRAPHICA 7. London: Lund Humphries, 1953.
Spencer, Herbert: TYPOGRAPHICA 9. London: Lund Humphries, 1954.
Spencer, Herbert: TYPOGRAPHICA 15. London: Lund Humphries, 1958
Spencer, Herbert : WITHOUT WORDS: PHOTOGRAPHS BY HERBERT SPENCER. London: Victoria and Albert Museum/BAS Printers, 1999. Limited edition of 250 copies.
Steinweiss, Alex: A-D MAGAZINE. Volume 7, No. 5. NYC: The Composing Room/P.M. Publishing Co., June-July 1941.
Steinweiss, Alex cover and profile in: PRINT MAGAZINE: A QUARTERLY JOURNAL OF THE GRAPHIC ARTS. Volume 5, Number 2, 1947. Woodstock: William Rudge 1947.
[STUDIO BOGGERI] Herbert Bayer [Introduction], Paolo Fossati, Roberto Sambonet [Designers]: LO STUDIO BOGGERI 1933 - 1973 [COMUNICAZIONE VISUALE E GRAFICA APPLICATA]. Milan: Atre Grafiche Amilcare Pizzi, 1974.
Sutnar, Ladislav: DESIGN EXHIBITION [from January10 to February 28, 1947]. NYC: The Composing Room/A-D Gallery, 1947.
Sutnar, Ladislav and K. Lonberg-Holm: CATALOG DESIGN PROGRESS: ADVANCING STANDARDS IN VISUAL COMMUNICATION. New York: Sweet's Catalog Service, 1950. With Laid-In Publisher's Material.
Sutnar, Ladislav and K. Lönberg-Holm: CATALOG DESIGN PROGRESS: ADVANCING STANDARDS IN VISUAL COMMUNICATION. New York: Sweet’s Catalog Service, 1950.
Sutnar, Ladislav : CONTROLLED VISUAL FLOW [DESIGN AND PAPER NUMBER 13]: NYC: Marquardt & Company Fine Papers, n. d. (1943).
Sutnar, Ladislav: VISUAL DESIGN IN ACTION. NYC: Hastings House, 1961. INSCRIBED COPY.
Switzer, George: AD MAGAZINE. Volume 7, No. 2: December 1940- January 1941.
[Tanaka, Ikko] Ikko Tanaka Design Studio [editor]: IKKO TANAKA: POSTERS 1953 - 91. Tokyo: Cosmo Public Relations Group, 1991.
Teige, Karel: "Fototypografie, Applied Photography in Modern Typography" in TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association [Volume 40, No. 8, August 1933].
Thompson, Bradbury [Designer]: WESTVACO INSPIRATION FOR PRINTERS 134 [A Toast to Victory]. West Virginia Pulp and Paper Company, 1942.
Thompson, Bradbury [Designer]: in WESTVACO INSPIRATION FOR PRINTERS 141 [A Portfolio of Seven Model Layouts]. West Virginia Pulp and Paper Company, 1943.
Thompson, Bradbury [Designer]: WESTVACO INSPIRATION FOR PRINTERS 148 [Primer of Progressive Typographic Design]. West Virginia Pulp and Paper Company, 1944.
Thompson, Bradbury (designer) et al.: WESTVACO INSPIRATION FOR PRINTERS 1942 - 1943. West Virginia Pulp and Paper Company, 1942-1943 (nos. 133-144).
[TRADEMARKS] Bayer, Burtin, Doner, Lustig, Rand, Rudofsky and Jacobson: SEVEN DESIGNERS LOOK AT TRADEMARK DESIGN. Chicago: Paul Theobald, 1952.
[TRADEMARKS] Yasaburo Kuwayama: TRADEMARKS AND SYMBOLS. VOLUME 1: ALPHABETICAL DESIGNS and VOLUME 2: SYMBOLICAL DESIGNS. New York: Van Nostrand Reinhold, 1973.
[TRADEMARKS] Society of Typographic Arts, Lester Beall [essay]: TM: TRADEMARKS/USA 1945 - 1963. Chicago: Society of Typographic Arts (STA), June 1968.
Tschichold, Jan : ASYMMETRIC TYPOGRAPHY. New York and Toronto: Reinhold /Cooper & Beatty, Ltd, 1967.
Tschichold, Jan: TYPOGRAPHISCHE GESTALTUNG. Basel: Benno Schwabe, 1935.
Tschichold, Jan: TYPOGRAPHISCHE GESTALTUNG. Basel: Benno Schwabe, 1935. Gene and Helen Federico's copy.
Tschichold, Jan: DIE NEUE TYPOGRAPHIE. EIN HANDBUCH FUR ZEITGEMASS SCHAFFENDE. Berlin: Verlag Des Bildungsverbandes Der Deutschen Buchdrucker, 1928.
Tschichold, Jan [Johannes] and R. B. Fishenden [Editor]: THE PENROSE ANNUAL. REVIEW OF THE GRAPHIC ARTS VOLUME 40. London: Lund Humphries, 1938.
Tschichold, Jan: TYPOGRAFISCHE VORMGEVING. Amsterdam: Duwaer & Zonen, 1938.
[TYPE SPECIMEN] Walter Typographie Service Inc.: TYPE SPECIMEN BOOK. New York City: Walter Typographie Service Inc., November 1934.
[TYPOGRAFIA] Frantisek Marek [Editor]: TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association, 1920 - 1940.
[TYPOGRAFIA] Frantisek Marek [Editor]: TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association, January 1935 [Volume 42, No. 1].
[TYPOGRAFIA] Frantisek Marek [Editor]: TYPOGRAFIA [Technical Journal of Czechoslovak Printers]. Prague: Typografia Association, April 1935 [Volume 42, No. 4].
[TYPOGRAPHICA] Spencer, Herbert [Editor]: TYPOGRAPHICA. London: Lund Humphries, 1949 - 1967.
[TYPOGRAPHY] Frederic Nelson Phillips, Inc.: MODERN USES OF ANTIQUE TYPES. New York City: Frederic Nelson Phillips, Inc., 1939.
Varnedoe and Gopnick: HIGH AND LOW: MODERN ART AND POPULAR CULTURE. NYC: Museum of Modern Art with Harry Abrams, 1990.
Vignelli, Celant, Constantine, McFadden, Rykwert: DESIGN: VIGNELLI. NYC: Rizzoli 1990.
[Vordemberge-Gildewart, Friedrich] Spencer, Herbert [essay]: FRIEDRICH VORDEMBERGE-GILDEWART: TYPOGRAPHIE UND WERBEGESTALTUNG. [TYPOGRAPHIE KANN UNTER UMSTANDEN KUNST SEIN]. Wiesbaden: Landesmuseum Wiesbaden, 1990.
Vostell, Wolf [Designer]: KUNST DER SECHZIGER JAHRE [4. VERBESSERTE AUFLAGE]: ART OF THE SIXTIES [4TH REVISED EDITION]. Koln: Wallraf-Richartz Museum, 1970. Fourth Revised Edition.
Waldman, Diane: COLLAGE, ASSEMBLAGE AND THE FOUND OBJECT. NYC: Harry N. Abrams, 1992.
Watson, Albert: CYCLOPS. Boston: Bullfinch and Callaway Editions Inc., 1994.
Weingart, Wolfgang, Armin Hofmann [introduction]: PROJEKTE | PROJECTS. Teufen: Verlag Arthur Niggli, 1979.
Curt Schweicher [Introduction]: WERBEFORM [Advertising Form]. Krefeld, Germany: Scherpe Verlag, n. d. [1954].
[WERBEFORM ] Erich Wenzel [Editor]: WERBEFORM 2 [Advertising Form]. Krefeld, Germany: Scherpe Verlag, 1958.
[WESTVACO INSPIRATION FOR PRINTERS] Bradbury Thompson [Designer]: WESTVACO INSPIRATION FOR PRINTERS. West Virginia Pulp and Paper Company, 1939 - 1961.
Zwart, Piet [Designer] and C. J. Graadt Van Roggen et al. [Authors]: SERIE MONOGRAFIEEN OVER FILMKUNST. Rotterdam: W. L. en J. Brusse's Uitgeversmaatschappij N. V. , 1931 - 1933 [10 Volumes, all published].