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HOW TO GET THEM INTO STORES INVENTION, SHOWMANSHIP, INITIATIVE Two CBS Direct Mail Brochures William Golden
William Golden (designer), Ben Rose (photographer): HOW TO GET THEM INTO STORES and INVENTION, SHOWMANSHIP, INITIATIVE [two CBS Direct Mail Brochures]. NYC: Columbia Broadcasting System, 1950. First editions. Set of two CBS Direct Mail Brochures housed in an unmailed CBS printed corporate envelope (B - 13). The two Brochures are in pristine, uncirculated condition and the envelope is in very good condition with worn tips. A classic set of early American Corporate Identity Design from one of the acknowledged masters of the form.
(2) 10.25 x 13 Direct Mail Brochures: each single fold with photography by Ben Rose. INVENTION, SHOWMANSHIP, INITIATIVE is printed 2 x 2, and HOW TO GET THEM INTO STORES is printed 3 x 5.
HOW TO GET THEM INTO STORES is a classic example of William Golden's incisive Corporate Identity for CBS before the development of the iconic CBS Eye. REFERENCES: Cipe Pineles Golden; Kurt Weihs; Robert Strunsky: THE VISUAL CRAFT OF WILLIAM GOLDEN.NYC: George Braziller, Inc. 1962, pp. 101-102. and AIGA, Steven Heller, R. Roger Remington, Ellen Lupton, Karrie Jacobs (Writers), and Anthony Russell (Designer): AIGA GRAPHIC DESIGN USA 10. New York: Watson-Guptill, 1989, pp. 19-21.
William Golden (1911 - 1959) is considered to be one of the pioneers of American graphic design. He is best known for his work at Columbia Broadcasting System, starting in the CBS Radio promotion department (before broadcast television existed) and culminating in his tenure as creative director of advertising and sales promotion for CBS Television Network. Golden gained a reputation of excellence by always striving for a perfect, simple solution to the problem at hand, producing an original and distinguished design to convey the message.
In 1937, Golden joined the promotion department at CBS, where he worked for three years before being promoted to art director. Golden's design program went beyond the promotion of CBS as a radio network, producing advertisements that helped to define radio as a news medium. His ads emphasized the ability of radio to bring historic events to its audience in a way no other medium could at that time. Golden took a leave of absence in 1941 to join the Office of War Information in Washington, D.C. In 1943, he entered the U.S. Army as a private, and served in Europe as art director of army training manuals. He was discharged from the military in 1946 with the rank of captain.
Golden returned to CBS as television was growing to become the dominant medium of communication in America. The time was ripe to define a visual style that would identify CBS to its viewers, and William Golden was the chief architect of the CBS identity. His efforts led CBS to a level of visual elegance that reflected the extraordinary taste and intelligence of the corporate leadership and, ultimately, the viewers of CBS. Toward this end, Golden employed the Didot typeface to use as the main type style for CBS promotional materials. Since the typeface was not extensively available in the United States at that time, CBS staff designers George Lois and Kurt Weihs were assigned the task of "Americanizing" the font, redrawing every character in the font from an enlargement that Golden provided to them.
Golden helped to shape corporate decisions, constantly pushing the executives to spend more on advertising the shows that demonstrated CBS's respect for good theater, good music, and good news analysis -- programs that highlighted CBS's reputation as a responsible company. Although he was offered the position of vice president in charge of advertising and sales promotion at CBS, Golden chose to remain the creative director of advertising and sales promotion, preferring to keep firm control of the creative aspects of the CBS image rather than moving into a more administrative role.
Golden's work ethic set an entirely new standard for American design, as he developed, directed, and sustained the visual program at CBS. During his tenure as creative director for advertising and sales promotion, all of the ads, promotional materials, and other corporate design projects were of a consistently high aesthetic quality, despite Golden's own belief that the business and marketing objectives were always of highest importance, and aesthetic quality was secondary to these objectives. At the height of his career, Golden's life ended abruptly at the age of 48; he died of a heart attack on October 23, 1959.
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